The Study About Huang Tingjian's Theory Of "Rhyine" And His Cursive

The unconstrained cursive script calligraphy is most artistic and expressive art form of calligraphy,it is the most ableform of calligraphy art that embodies the talent and emotion of the book.The most famous calligrapher of unconstrained cursive scriptin history,besides Zhang xu and Huaisu,is the most famous is Huang tingjian.He created a world of "wild grass" in the form of "steep and fast" form of language,and became the grass with Zhang xu and Huaisu.In this paper,the aesthetic characteristics of the "rhymes" in the form of Huang tingjian form the starting point,theestablishment of the "rhyme" of the aesthetic of calligraphyand the "rhyme" of the calligraphy learning of Huang tingjian's pursuit of subject spirit and inner emotion is interpreted and integrated.The main part of the thesis combines the mentality of huangtingjian's cursive composition to explore his "rhyme" of the form of theCursive,and paper analyzes the form language,spatial structure and rhythmic rhythm of cursive script,to explore the aesthetic support and scientific basis of "rhyme" in the cursive composition creation of Huang tingjian.In order to expand the development of cursive script.This article discusses and analyzes from the following aspects:The first section outlines the establishment of the discourse mechanism of the"rhyme" of calligraphy.The second part focus on poets "meaning" and "rhyme" calligraphy aesthetic category of symbiotic,especially for Su shi "meaning" aesthetic confirmation of the Chinese calligraphy and Huang tingjian,the essay discusses the expansion of "rhyme"the Chinese calligraphy.The third part mainly discuss Huang tingjian in the aesthetic category of "yun"(rhyme)integrate the cursive script creation mentality,mainly from the pursuit of"refined",attach importance to the natural language of the reality and express own life connotation from three aspects.The fourth part is the cursive form of composition analysis,mainly from the line,the spatial organizational form of the word structure and the whole space of cloth is white,inky contrast aspects discussed;This paper summarizes the aesthetic meaning of "rhymes" in the space constitution of Huang tingjian.In the fifth part,Huang tingjian makes a statement on the inspiration of the modern grass book creation under the aesthetic category of "rhymes".