Adaptation,Breakthrough And Reconstruction:the Building And Interpretation Of Female Characters In Contemparory TV Dramas

In 2017,the Western countries set off a massive "Me Too" movement,which once again pushed women's survival difficulties to the peak of public opinion.Since the outbreak of the first feminist movement of the 19th century,women in the world have struggled for equality and liberation for more than a century.Women's consciousness has gradually become popular among these feminist fighters,but the real living environment for women remains Worrying.With the continuous development of the social economy,the mass communication technology has been increasingly strengthened.As a media with a wide audience,the TV dramas bear the role of showing the real society,and the female images also change with the change of the mass culture ideology.Since the 1990s,more and more female images have been flooded into the screen along with the blowout of television dramas.There are women-oriented TV dramas focusing on women's living environment.These texts are not only women's reality.The performers of the living environment are also powerful voices of feminism.Based on the sample of Golden Eagle Award-winning female characters,this article examines the characteristics of female characters in TV dramas from different perspectives,summarizes them,and summarizes the discourse ideology behind them.This article is mainly divided into five chapters:In the first chapter,it mainly introduces the origin of feminism in the West and its faction,and the development of feminism in China.It tries to clarify the theoretical basis for the study of this article.In the second chapter,the Golden Eagle Award winner actress is taken as a sample.The four aspects of appearance,personality,living space and identity occupation quantify the sample,and provide data support for the narrative discourse mechanism of the latter part.The third chapter to the fifth chapter are the focus of this article.They analyze the TV drama from three angles.The characteristics of the female image in China and its deep exploration of the discourse mechanism behind it.The third chapter mainly studies several typical female images of TV dramas from the perspective of patriarchal rights.Here are three kinds of images:the image of a good wife and mother,the image of a physically attractivewoman and the image of a wicked woman.From the case analysis,the patriarchal words behind it are analyzed.Ideology,under the male identity of the Virgin Mary,under the male dominance of the female expulsion,male aesthetics,women become sexual objects.The fourth chapter mainly focuses on feminism,and summarizes them from three perspectives:self-identity,social identity,and group identity.It specifically analyzed the six roles in the six TV dramas and reflects the women in the TV dramas.Consciousness is constantly emerging.The fifth chapter focuses on the post-modern feminism.It focuses on the analysis of a series of feminine images portrayed in the TV drama "The Hermaphrodite.,Under the influence of post-modern pluralism and consumerism,women's images are more diverse and modern.The conclusion part summarizes the development of female characters in TV dramas,and points out their deficiencies,and looks forward to the bright expectations of harmonious development of both gender.