Green Reception:Study On The Receptional Dimension Of Ecological Aesthetics

Green reception is the new concept,new perspective and new field that ecological aesthetics needs to explore.The emergence and development of ecological aesthetics are based on both realistic and theoretical reasons.On the one hand,the ecological crisis has gradually spread from the natural realm to social and spiritual categories.On the other hand,the development from the traditional aesthetics to ecological aesthetics is inevitable,because of the expansion of research object,the enlargement of research subject and the renewal of research paradigm.As the receptional dimension of ecological aesthetics,green reception is inspired by buill's green reading and goes further.It is a more condensed summary of the study on the receptional dimension of ecological aesthetics.Besides,it embodies the characteristics of the research on ecological aesthetics and.shows the characteristics of practicality,openness and dialectics.Furthermore,as a value judgment,green reception provides useful guidance to solving the ecological problems of multi-dimension.Green reception in this thesis,firstly it means an ecological perspective that is not limited to literary text to face the expanding artistic style in the ecological wave.Secondly,it means an ecological thinking paradigm which is multiple,opening and dialectical.It emphasizes the loyalty to the text and criticizes the phenomenon of reading text rudely.In the comprehensive attention to the receptional dimension of ecological aesthetics,we ensure the important identity of the audience and ask for them.We hope to perfect the research dimension of ecological aesthetics and find the way to promote the research on ecological aesthetics.There are five parts in this thesis.The first part is a brief introduction to the background of this research.What's more,we define related concepts,such as ecocriticism,ecological aesthetics,ecological research of literature and art and environmental aesthetics.Besides,we point out some issues of ecological aesthetics at home and abroad and clarify the significance of this research as well.In chapter one,we interpret the theoretical basis of green reception from three levels to provide the legal legitimacy for the application of its paradigm.In the first section,we discuss the inheritance and expansion of green reception from buill's green reading.In the second section,we demonstrate the influence of the historical,horizon and blank on green reception.In the third section,we expound the enlightenment of the ecological theory of scale and system to green reception.In chapter two,we introduce the theoretical standards of green reception.The first section is an explanation of ecological perspective,which contains anthropocentrism,anti-binary opposition,and review of the classic.Meanwhile,this is the reflection of rational spirit.The second section is the discussion about the requirements for the ideal audience,including the dimension on ecological aesthetics,ecological imagination and ecological morality.In chapter three,we take typical movie text and literary text to apply for green reception.In terms of the ecological movie 2012,the value of green reception lies in expanding the horizon of research,which is good for the development of ecological aesthetics;and regarding the literal text The Old Man and the Sea,the significance of green reception lies in the review of traditional texts,when we find the ecological space of text,and we point out the non-ecological space of it as well.In the last chapter,we make a brief summary of this thesis.On the one hand,we affirm the realistic and theoretical value of green reception,on the other hand,we propose the problem on the receptional dimension of ecological aesthetics.Furthermore,the proposition of green reception is also to require everyone to join in the grand career that building ecological civilization together.