The Display Of Streamline Design And Its Referred Research On Chinese Classical Gardens

The exhibition display gradually comes into being along with the development of social economy and culture,and its purpose is to provide reasonable spatial carrier for the communication between objects and people,and display,spread and generalize the specific objects and information.The reasonable exhibition space needs to fuse with functional requirements of exhibition,aesthetic standards of art and inner expectation of audiences for the reasonable planning of space,and becomes the bond that connects audiences and exhibition content.At present,the circulation design off exhibition space in our country still rests on the standard that simply satisfies the demand of use function,and in the design form,it usually learn from the western countries and lacks of the fusion of traditional regional culture in our country and reference of aesthetic consideration.Most forms of exhibition space are single,thousands of cities show the same,,and with obvious reference and traces of copy,the circulation design also is plain and unvarnished,and lacks of changes,which results in the deficiencies of sense of image,sense of rhythm and beauty in form of exhibition space.Aiming at the condition that neglects emotional functions and lacks of system design,the author comprehensively and deeply analyzes and sums up the specific concept of exhibition space circulation design,and taking this as the medium,the reference of Chinese classical garden art is introduced.Through analyzing and discussing Chinese classical garden art,the author explores the aesthetic ideal of ancient literati in design philosophy of Chinese classical garden and discusses a kind of design thinking and aesthetic habit suitable for Chinese in order to find new theoretical support for exhibition space circulation design,thus changing the blindness and one-sidedness of design,and enlarging the extension of exhibition design.