Research On Image Interpretation Of The History Of Jia Tanchun

This paper puts the history of Jia Tanchun's image as the research scope and combines the theory of literary criticism to analyze the research of Jia Tanchun from different scholars in different times of the Qing Dynasty and so on.The first chapter mainly talks about the purpose and significance of this article and the review of the research on the study of Jia Tanchun in the Qing Dynasty.The aim is to understand the progress of the history of Redology and the change of the concept of literary criticism through the study of Jia Tanchun's history of interpretation,and to understand the character image of Jia Tanchun.The second chapter mainly talks about the interpretation of the Zhi Yanzhai,The Commentaries and The Poets,Zhiyanzhai has laid the foundation and direction for the later researchers through the praise of the character and spirit of the Tanchun.On the basis of the study of Zhai Yanzhai,The commentaries went deep into the study,and appeared different emotional and attitude tendencies,produced obvious commendatory and derogatory attitudes,and The poets were mainly affirmative and appreciative,but at the same time they lacked a certain spirit of criticism.The third chapter mainly introduces the confrontation of the concept of research in the period of the Republic of China era,including the opposition and confrontation between the new scholars,including Ji Xin,Zhou Ruchang,Wang Kunlun and Li Chendong,as well as the views of the old scholars represented by Wang Bohang and Chen Qitai.The dominant position is the emergence of the new school literati under the influence of bourgeois thought.The rational and pluralistic interpretation.The fourth chapter mainly introduces the differences about the interpretation of the Tanchun in the political background of The New China,the reformers of feudal society represented by Jiang Hesen and He Qifang,the guardian of the feudal society represented by Liu Mengxi and the Wu Zhanlei,the enlightened and reformers of the feudal society,represented by Qiao Xianzhi,Under the influence of the cultural revolution and the ideological movement,their interpretation of Tabchun is not divorced from political and class attributes,they lack the concern for characters and literary works themselves.The interpretation of the single reflect this period of political Tanchun under high pressure.The fifth chapter introduced since 1980 for scholars to Tanchun diversified multi angle interpretation.In this period,with the advancement and deepening of the reform and the rammed foundation laid down by the predecessors for the study of Redology,the interpreation of Tanchunhas developed well,rich in content and varied in angle.In the perspective of multicultural and pluralistic aesthetic,the management thought,the image research,the main trend of thought and the trend of thought of the exploration of the Tanchun The implication of the tragedy has been involved in a considerable degree.In addition,the interpretation of the outcome of the exploration of the Tanchun and the reception of the drama also flourished,and Redology in this period has produced a qualitative leap and development.The conclusion part through the summary and reflection of the above period,in order to understand the history of the interpretation of the image of the exploration of the image of Tanchun and the development of the history of The Dream of Redology in different periods of literary criticism,and to provide a reference for the future study of Tanchun and Redology...