Transcendence Of Form And Return Of Spiritual

Since the development of western learning to the east,Chinese traditional painting has suffered an unprecedented impact from the system of skills,values and inheritance.As the core of the construction of the system of traditional painting,On the basis of the real world,how to construct a new ink and wash schema,form a new concept of ink and wash,and complete the transformation of the art education of ink and wash into a new educational system of colleges and universities? These problems are still perplexing a large number of ink and wash artists groups and their own ways,the current ink and water education system.Case study of ink and wash artists,Inevitably involves the dual questioning of history and reality.In the face of rich ink and ink cultural heritage,the artist is entangled in the following: which part of what I need? In the face of the complex contemporary art landscape,the artist is entangled in: what kind of expression is unique to ink? Where is the boundary of ink art? This article is not intended to give a practical and clear answer to the above question,but I believe that through the case study of du Dakai,a contemporary ink and wash artist,Or can enlighten the reader to this phenomenon of ink art,whether form or form of thinking,it is enough.