Meidaizhaotibetan Buddhism Recited The Sound Of Ritual Sounds

Meidaizhao,also known as Lingjue Temple,was built in the Ming Longqing period.It is the oldest Tibetan Buddhist temple in Inner Mongolia and the earliest promotion center for the Gelug faction in Inner Mongolia.It is also included in the AAAA of China.The Grade-A tourist attraction is located in the Meidaizhao Village,Tumeteyou Qi,Baotou City,with the Beijing-Tibet Highway at the front and the foot of the Yinshan Mountain at the back.It is a temple with one temple and one living together.The temple is a city temple built in Tumochuan after the seventeenth generation of Ghengjisihan's grandson,Aletanhan,was sealed as the king of Shunyi.The existing murals in the Meidaizhao and Sanniangzi Temple are the most distinguishing features of the other Tibetan Buddhist temples in Inner Mongolia.This article takes the sound of rituals and rituals of Meidaizhao as the main research object,and analyzes and summarizes the ritual process and the analysis of musical form and text through the six research methods of ethnomusicology.In order to explore the trajectory of the sound of Tibetan Buddhist rituals initiated by the Meidaizhao,these tangible cultural heritages can be protected and developed more comprehensively.This paper is divided into introduction,summarizing the Meidaizhao and summoned summons,the Meidaizhao to summon the ritual ceremony,the Meidaizhao to summon the ritual sound,the Meidaizhao and the ritual sound of the ceremonial function and social significance,"inheritance" of the inheritance and protection of the seven ceremonies and conclusions were summoned.Among them,the introduction part includes the research object,research purpose,research methods,research status,innovation and significance and other aspects of the full text of the overview,in order to understand the full text from a macro perspective.The first part of the text analyzes the history,the legendary figures,the brief introduction of the architectural structure and the important religious activities of Meidaizhao by means of literature analysis,and lays the basic theoretical foundation for the following research.The second part expounds the rituals of rituals and memorials by the method of field investigation,records and preserves the ritual sounds of the rites,and provides necessary conditions for the protection and transmission of the ritual sounds.In the third part,through the analysis of musical forms,the ontology analysis of the sounds existing in the ceremonial sacrificial ceremony was conducted.The fourth part analyzes the function and significance of the existence of the sound by analyzing the sound of the ritual ceremony in detail.The fifth part is to conclude that the study of the ritual sound of the sacrificial rites can better protect the inheritance and development of the entire Meidaizhao.At the present stage,there are not many researches on the Meidaizhao murals,but the results of their sacrificial rituals have not yet appeared.Therefore,this paper is based on the research theories and methods of ethnomusicology,and explores and analyzes the changes in the ritual sound of the chanting ceremony of the Meidaizhao.It strives to contribute to the preservation and transmission of the ritual sound,and to better the extremely precious cultural heritage continues to develop.