Research On Ink Elements In Kan Tai-keung's Poster Design

Kan Tai-keung is an outstanding Chinese graphic designer in the world.His design works are concise in form,rich in meaning,and profound in meaning.He attaches great importance to digging out local cultural resources,using ink paintings with Chinese traditional cultural features as the main creative elements,and integrating western modernization.The design concept has created a unique poster design with national characteristics.This novel form of expression and unique creative design is full of spirituality and beauty.It is the inheritance and innovation of traditional culture in modern poster design,and it is also a reflection of his design ideas and style.This article analyzes Kan Tai-keung's posters in a comprehensive way,focusing on the basic characteristics of the application of ink and wash elements in the design of posters,and the philosophical significance and value of the elements.The profound philosophy and cultural connotation have a comprehensive and far-raeching impact.Through the exploration of this unique ink painting element with oriental features,we continue to enrich the visual language of modern poster design and seek its influence on the subtle influence of Chinese designers,thus helping China.On the basis of fully understanding the psychology of the audience,the designers dig deeper and recreate the Chinese local cultural expression language,supplement their own communication storage deficiencies,inspire innovative thinking,design better,embody higher artistic value,and have a strong national sentiment s work.Focusing on this topic,the dissertation includes the following aspects: The first part of the dissertation mainly elaborates the research background,research contents,research status at home and abroad,research ideas and research methods.The second part studies Kan Tai-keung's background,experience and context,and expounds the reason and process of the formation of Kan Tai-keung's design ideas and concepts.The third part analyzes and interprets Kan Tai-keung's paradigm of poster design through reluctant design ideas and concepts,taking concrete posters as examples.The fourth part,based on the principle of perception and aesthetic theory,elaborates on the characteristics of application of ink elements in Kan Tai-keung's poster design,and analyzes the theoretical basis of its formation.The fifth part introduces the contemporary semantics of the application of ink elements in Kan Tai-keung's poster design,including its modern continuation of traditionalphilosophy and its unique charm in the context of globalization.The final conclusions partially advocate the return of the national spirit “spirituality” and “temperament”under modern design,and the upsurge of respecting and learning from Mr.Kan Tai-keung's poster design in the design community.After the analysis and exploration of this article,the design community The new understanding and comprehension of the "Kan Tai-keung phenomenon" has also enabled modern posters to carry and convey the culture while promoting and promoting the culture and redesigning the culture.