Feng Xiaogang's Film Irony Art Research

To begin with, the word “Irony” was one of the first fixed role in the ancient Greek classical comedy, which came from the ancient Greek eironia. And then,irony evolved into a kind of rhetorical devices,which could be found in both Chinese and western classical culture.The use of irony art expanded to poetry, novel text, film and television and other fields in the later,Under the strong traction of social transformation and cultural transformation,the irony has become the present China's increasingly prominent cultural phenomenon, cultural facts.But as the China well-known director, Feng Xiaogang,whose films in the present are widespread,in whose films the Irony art has became a distinct aesthetic style.Paper, from the perspective of the irony art, revealing, relying on the theory of irony, Feng Xiaogang and works as the main object, and combined with the current cultural context on the irony art in the Feng Xiaogang film performance were analyzed. The first chapter is the analysis of Feng Xiaogang film irony art culture field, through to the film overview, analysis of the present society, Feng Xiaogang film irony art of cultural context, and through external Wang Shuo, Feng Xiaogang to works of Liu Zhenyun, with Zhang Yi mou, Feng Xiaogang 's comedy category of art theme, Feng Xiaogang film of irony and Stephen chow "wulitou" comparison of performance style, it is concluded that the irony art in Feng Xiaogang film uniqueness. The second chapter is the focus of this article and innovation, research, Feng Xiaogang film.Feng xiaogang was put forward by the film's age background, cultural context, it is concluded that Feng Xiaogang thought value of irony art aesthetic style, on the basis of the above analysis combined with contemporary Chinese cultural irony art exists in Feng Xiaogang film irony for efforts to strengthen, "laughed fruit" less problem.