On The Feeling Of Brush And Ink In Dong Qichang's Calligraphy And Painting

Pick Since the end of the last century eighty s, in a very special cultural background of the reform and opening up period, the study of art history to learn in our country, the chin entered the Chinese and western art culture historiography research, at the intersection of intersection and the update period. Western art history research into art scholar's business scope in China, the Chinese fine arts history research and method become plump, expanding the research space. Well-known introduces, this is the last century culture shock of Chinese and western fusion, a new Chinese fine art historiography of the concept and method of integration and intersection makes research from the traditional to the modern ideology, Chinese art history research of flexible and diverse situation began to erupt. As artists, theorists of Ming dynasty, dong qichang unique eunuch experience, painting theory of the civil cases, as well as his book to show that the relationship between point ink painting style, make the highlight in the history of the modern expression., of course, we also can not deny the fact that the posterity and contemporary personal work, mixed, and made him in Chinese art history research at home and abroad, a doubt enjoying the controversy and maintain independence and representative characters. In dong qichang painting style and its theory research, found that we can't completely put aside those guidelines, nor to listen to the echo wall of history, with more than we need to understand a higher artistic level of cognition and probe. Evaluation of a historical figure, explain history, historical works, is subjective and the objective existence of parallel at the same time to rely on history. In the objective conditions cannot be more platform, for a historical figure, or some similarities of the historical phenomenon, each person's subjective consciousness is distinct, since this will lead to the opinions and value judgment, perhaps there will be paranoid, sometimes opposite. On the other hand, how we build our view on history? Is he in fact only up to grasp the objective existence of? Of course this is academic in studying the relationship between practice and theory. This is me at the time of writing the thesis in the mind of a big question mark. Its social development status, calligraphy and painting is basically the same, the difference is to see the theoretical enlightenment function. Analyzing the landscape of the dong qichang, its root lies is a "light" word."Light" is the highest state of dong qichang review painting pursuit, this spirit in the calligraphy has been renewed. And dong qichang praise highly "read thousands of books, view" is not only the painting of a kind of state of internal work and life of the source of artistic creation is a kind of spiritual pursuit. Papers from the books to show as the breakthrough point, combined with Buddhism, analyze the relationship between the meaning of the painting and calligraphy and painting, and the effects of calligraphic and painting works of dong qichang, through calligraphy also use another perspective to interpret the painting and calligraphy works, and the life feeling and art heritage...