Research On The Change Of The Dance Of The Harbin Festival In Beijing

Dance is not popular in the Jing nationality, but some dancers will perform ritual dance and sing in Hating when the Ha Festival comes. These ritual dances are traditional art of the Jing nationality which spread from Vietnam. All the dances, including The Wine Dance, The Joss Stick Dance, The Flower Dance, The Flower Stick Dance and The Lantern Dance have different meanings and perform at different times in the Ha Festival. They show the feminine charm of the Jing nationality and reflect the rigorous features of the ritual.The dance of the Jing nationality is the core of this study. The author had been to Jingareapracticed fieldwork twice and gathered a lot of ethnography of others. On the basis of these data, this paper introduces the dance of Jing nationality, analyzes the changes in the past three decades and summariesthe reasons for the changes. It also makes suggestions on development of the traditional dance of the Jing nationality.The place, the number of people, the props and costume, the music accompaniment, the action, the dispatch and even the species of the dance has changed over three decades. These changes of the dance of Jing nationality is along with social change. From the perspective of social background, it seems that people's living condition is improving but the sacredness of dance is lower and people's awareness of cultural preservation is raised but the dance is rigid. Of course, the change of the dance of Jing nationality is also related with dancers.Firstly, dancers learned new dance and used in the ritual of the Ha Festival. Secondly, there isa bigdifferencebetweenthe dancers' comprehension of each dance. Thirdly, successor's memory is very important for dance inheritance. Finally, dance style changes due to the dancers are elder now.Fortunately, the dance of the Jing nationality is keepingits traditional culture property during the change, which showing the featuresofmarineculture and inherited religion sacrifice culture. Because Cultural changes are inevitable, the dance of the Jing nationality must adapt to social development, so will it meets people's steady spiritual demands. The successful experience of an Old artist named Chengjin Huang can be borrowed. First of all, establish the conception of the work on the demand of ritual. Next, create new movement of the dance from the living environment of the Jing nationality. In the third place, keep the dance style of the Jing nationality, which is graceful and elegant. Last but not the least, observe the rules and statute of worship ceremony. Keeping traditional culture is the basis for innovating and developing of the dance of the Jing nationality.