From The Content Of Collecting Wind To The Transformation Of Stage Art

Learning local practices and customs, then try to convert the content into the stage art. If there are effective ways to guide the choreographers make it? This paper attempts to by referring to literatures and summarizes the operation in practice, trying to the contents of the folk songs transforming method for exploratory research.This paper is divided into two parts, the main part of content and method of clearing up. The other part is for transformation method is discussed. Among them how to "no dance the conversion of prototype parts content creation," is in this paper, we study the difficulty.For field trips, this paper mentioned, tour "is an object for creating cultural background knowledge and master. There are several kinds of methods such as literature data, learn from folk artists, experience the local people’s dietary habits, as well as to the history museum to visit, etc.For transformation, this paper mentioned, the transformation is to make the content of the tour get artistic processing and stage now. In the process of creation,to grasp the principle of "three changes". Change idea, deformation, and charm. Change: is to change the theme, in order to enrich the content of it. Deformation: one is the "image", the second is "form". Through the change of "image" development, can make the image shaping the characters in the works more real and solid. Through the changes in the form of the structure can make work more logical and consistent. Variable rhyme: the variable lasting appeal, or cultural refining- "the form". "Rhyme" no dance mainly for the prototype parts content and, through the transformation rhythm, can make the tour object from "invisible" to "tangible", this is also the research emphasis in this paper.This article for "the form" method, this paper is divided into the creation of the "image" and "creation" of the rhythm of the two. The creation of the "image" is mainly refers to in writing by the depiction of the characteristics of the character and can make originally empty and lack of appealing characters into flesh and blood, a lively characters. For the creation of "rhythm" is mainly refers to the development in the reference. Through using some typical ethnic brothers the dance movements, at the same time and the need of emotional expression, make it become the dance form the specific personality. In addition, the paper also puts forward the existing three mistakes in the process of transformation: first, the theme of transition to deviate from the original idea of the play. Second, the image of the transition to deviate from the prototype of the play. Third,for the details of the capture and refined, easy to overlook the details of the "value". In addition, the article also mentioned that should be paid attention to in the process of transformation of two points: first, the details of the refining. Second, the scale of the trade-offs. In the details of the distillation process should pay attention to "culture" and "artistic value" the details of the refining. For the understanding of "trade-off scale", it is novel and touching, malleable, whether can play emotional requirements and atmosphere build play a positive role.