From John Berg's "watching" To The Practice Of Animated Installations

"Watching" is ahead of words, we identify ourselves among all around the world by the way of watching. We know that from John Berger's "Ways of Seeing", when the animation installation was put in a limited space, we use the methods of visual art as the basement, focusing on the creation period of animation installation and its developments as examples to discuss.John Berger's "Ways of Seeing" emphasizes "form" and "argument" and they are as same important as each other, the book trying to help readers to find and explore the way to treat paintings when we face them... No doubt this will change the way of seeing the paintings. In our daily life, we use eyes to see every moment, but whether we look through the convex-concave lens, or through the camera, through the television, or just directly through naked eye, No doubt that each person will get a different sensory experience, different way of viewing each have its mystery. Animation-installation's watching mechanism, form, and structure is defined by the cultural factors of the artists. This Paper aims to analyze the ways of seeing in each period due to the different factors, displaying the influences of visual art. It focuses on the way of art performance, and to remind myself that either in creating or in the process of learning to avoid preconceived sensory experience, paying attention to the way of seeing or thinking on work.