The Classicization Process Of The Nineteen Ancient Poems

"Nineteen ancient poems", the Five-character poems, with themes of sad life and death is very important in the history of Chinese Literature. Since Xiao Tong elected the poems into "Nineteen ancient poems", there are many people come to research in this field. Such as some people who have analyzed the textual, some people who have elaborated on the comment, and the imitators is from generation to generation without a break. It is because of the posterity of the nineteen ancient poems, provides us a new perspective to study the nineteen ancient poems of classic process.In the process of becoming into a classic textual, the imitation of "Nineteen ancient poems" was intended to be a beautiful landscape. In the eyes of critics, "imitation" was polarization. It was the reason why we choose it to be a research object. Because the status of "Nineteen ancient poems", if we research the classical of "Nineteen ancient poems" with the perspective of "imitation", it will be great value both in theory and practice. This article is proposed from the perspective of Imitative Ancient Contemplating the text uniqueness and classic. The article is divided into five parts, the main content is as follows:In the introduction part expounds the concept of classic literary text, the ways to become a classic text. In this part also points out that draft is one of the important way of the literary classics. In this chapter we also deals with the current situation and the research methods of this paper.The first chapter begins with the definition of Imitative Ancient, the basic characteristics of imitative poetry, and the writing motivation of imitative. It should be pointed out that in the part of basic characteristics of imitative poetry, there are about style, language, postures, to expand the body of the paper. It followed the traditional style research methods.The second chapter is about the poets who on behalf of simulating the "Nineteen ancient poems". The text is intended to be used as a control study, are medieval Lu Ji and Tao Yuanming. Li Bai and Wei Yingwu in Tang Dynasty, Her Jingming in the Ming Dynasty and the Qing Dynasty's Wang Fu-chih. They are all behalf a generation of literature. Through the analysis of their text, it may better to show the process of the road of classical about the "Nineteen ancient poems".The third chapter discusses the role of imitation in the proposed "Nineteen" Canonization play. First of all, imitation works guided the readers Reinterpretation of "Nineteen Ancient poems". Imitative Ancient Writing recognition of the "Nineteen" classic status is an important way of its dissemination, but also completed by the reader to the author's identity transformation. Second, the proposed change and promote the development of Ancient Five-character Poetry.In the conclusion part, it researched the meaning of the classical with the Angle to classical poetry in the nineteen ancient poems.By parsing chapter by chapter, illustrates the imitation poetry in its rightful place in the ancient Chinese literary history, and the role of classical.