Musical Analysis And Interpretation Of The Chaozhou Zheng Style

Zheng is the ancient Chinese musical instruments, in folk music has a very important position. In the process of spread, and local customs, music, language and culture of mutual penetration, integration, gradually formed a unique style of the local schools. In many genres, Chaozhou Zheng for the influence of a large, prominent personality, it and culture of Chaozhou, Chaozhou music and Chaozhou Dialect mutual influence, its unique charm, elegant temperament, gentle flavor, by the people of universal love.The formation of Chaozhou Zheng local style has a special cultural background, namely Chaozhou Chaozhou Zheng music. The original natural form mainly in Chaozhou tone poems, fine music folk music as an ensemble instrument, YeHu, Yangqin and Erxian, and other musical instruments. Chaozhou music melody feature symbiosis, the expression means to form the basis of Chaozhou Zheng with the development of music. And Chaozhou has a close relationship with the traditional culture of Chaozhou. Therefore, Chaozhou Zheng learn the essence of folk culture, retains the characteristics of Chaozhou music, formed a "Chaozheng-Chaozhou Music-(Chaozhou)-trendsetter tide culture" cultural chain. This paper takes ethnomusicology as the theoretical support to paperwork and on-the-spot investigation as the foundation, along with "Chaozheng-Chaozhou Music--trendsetter tide culture" cultural chain, on the relationship between Chaozhou culture and Chaozhou music, Chaozhou Zheng faction branch, historical origins, literature research And music ontology and other aspects of a comprehensive analysis, trying to sort out the cultural context of the formation of the music phenomenon.The full text is divided into five chapters, the main contents include:Introduction:the purpose and significance of the topic, research status and research methods.The first chapter:Chaozhou culture and the Chaozhou music overview. This chapter respectively introduces the Chaozhou culture and the history of Chaozhou music, the development of the situation and the Chaozhou culture and the relationship between the Chaozhou music.The second chapter, the Chaozhou Zheng sent research literature. The author of published from 1949 to 2016, published the Chaozhou Zheng sent research results to collate statistics. In the literature based on, respectively, the documents according to the research perspective and research methods of alternative to the multi dimension of the sort of. Finally, on the current status of the research were summary and thinking.Chapter three:Chaozhou Zheng pie headstream. This chapter examines the Chaozhou Zheng school in the history of the genre and the Chaozhou Zheng sent factions, first to Mr. al. As the representative of the tide Zheng faction; the second to Li Jiating Chenghai department; the third branch of the Hong Peichen Chao'an department and overseas Chaozhou Zheng faction. Here of factional descendants constitute and representative pieces to make a comprehensive and detailed analysis.Chapter four:this chapter respectively on four different versions of< Hanya water > structure and form of melody, playing techniques, such as comparative analysis, combing the Zheng sent different style features.Chapter five:Chaozhou Zheng pie style cultural interpretation. This chapter according to the Merriam, and rice's model of cultural analysis based, combined with the specific circumstances of the Chaozhou Zheng builds its own culture, will be from the traditional social culture, three aspects of the traditional arts, culture and traditional music culture of Chaozhou Zheng for a full range of cultural interpretation.The conclusion part:the main content of the above five chapters are briefly summarized, extraction and integration.