Rhyming Treatment Of Main Rhyme And Complementary Rhyme In The Performance Of Chaozhou Zheng ——Taking Jackdaw Splashing In The Water As An Example

During the field trip to Chaozhou,I found that the chao Zheng showed the rhythm of the tide through the left hand,scoring first and second.Each phrase logically needs to have its level and oblique tone.If there are too many rhymes,there will be too much of a good thing.Rhyme is too little,sound tasteless,not enough to move people,philosophy refers to contradiction is the unity of opposites.The main rhymes and complementary rhymes are also opposites and unity,they work together as rhymes and unity in the expression of music style,and at the same time,there must be a focus,that is,there are primary and secondary points,so we need to adhere to the unity of two-point theory and key point theory when playing,grasp the main aspects of the contradiction,but can not ignore the secondary aspects of the contradiction.The main and auxiliary rhymes are presented by pressing,kneading,pressing and quivering.This paper is divided into three chapters.The first chapter discusses the characteristics of Chaozhou Zheng.The second chapter summarizes the rhyming treatment of the main rhyme and complementary rhyme in chaozhou Zheng performance.The third chapter combines the performance experience and learning process of the graduation concert,takes the Chaozhou zheng song jackdaw splashing in the Water as an example,and gives personal suggestions on the performance of the work,with the example of the study.