2007-2016 China Black Film Aesthetics Research

This paper is written basic on 11 chinese film noirs on behalf of nearly 10 years from 2007 to 2016,aim to find out the localization of chinese film noir’s cultural significances and the revelation for future development,made it as the subject,view from the angle of ontology,to analysis the image feature and the connotation of localization of chinese film noir.In the introduction,I hackle the type of film noir,reorganize the concept of the characteristic localization of chinese noir,according theory of related scholars here and abroad,and also analyze the situation of aesthetic study,clear as to the content of the chinese film noir aesthetics research direction,to establish the study of Chinese film noir aesthetics Angle and basic train of thought;My paper discusses the text is divided into three parts,in first chapter,through hackle the development of traditional film noir and the discourse background of chinese film noir,to understand chinese characteristic localization of film noir style change;in the second chapter,analysis the connotation and construction of chinese film noir in different ways,through cultural,social,religious,human nature,and so on from the angle of multiple relationship,to elaborate and analyze chinese film noir’s aesthetics,dependent and necessity;The last chapter,telling the culture meaning and the lack of chinese film noir.In the end of this paper,sums up the culture inside of chinese film noir for inherit and develop the ordinary film noir,make sure the importance of film noir to the cinema aesthetics,raise necessity to promote the development of film noir.