Try To Discuss The Contribution Of France "New Wave" To The Aesthetics Of Film

The French New Wave, Which is one of the three Aesthetic Movement in the world's films history, refers to the French film industry in 1958 to 1962 the emergence of an unknown young film director from the film debut race craze. They stressed that a "personal style" filming style, abandon the traditional "father movie". Francois Truffaut as the "four hundred attack", Jean-Luc Godard "exhausted" and a number of films to a new form of film concepts and aesthetics have award-winning in film festival. "New Wave "Movie shocked the world. The Americas, Europe, Asia and other countries also have a "New Wave" film movement, set off a worldwide film aesthetic revolution. French "New Wave" in China is also a profound impact on modern cinema.The paper consists of five chapters:The first chapter introduces the French "New Wave" Social Background and the film industry on the "New Wave" produced important role in promoting. Chapter two "New Wave" film movement theory teacher-Basin and the "New Wave" of the main two schools. Chapter three combing "New Wave" of aesthetics, aesthetic characteristics; Chapter four with "New Wave" Analysis of the classic films Godard and Ray is the aesthetic characteristics of the film; Chapter five introduce "New Wave" and the collapse of the French "New Wave" of the documentary aesthetic and existential aesthetics of Chinese Film.This paper tries to go from macro to grasp the French "New Wave" generation of film aesthetics, development, prosperity and decline of reason. Looking for the development of some of the laws of the film, to the Chinese film art to provide a frame of reference, and to explore the development of Chinese film in the direction of the future.