On The Influence Of Liang Qichao's Buddhist Thought On His Aesthetic Views

Liang Qichao's aesthetic thought and Buddhism thought are described in the Chinese history of modern thought has become an independent school,playing in the leading role and has much research value.This thesis develops a new research perspective,focuses on the Liang Qichao's Buddhist thought to explore how it influence his aesthetics.According to the Liang Qichao's Buddhist history and aesthetic thought to in-depth analysis of many aspects of Liang Qichao's Buddhism and aesthetics thought.On this basis and then argument we can think that this effect embodied in internal and external.In the peripheral level,Liang Qichao's Buddhism works and aesthetic works exist in time synchronization.In the inherent ideological level,the relationship between the novels,the Buddhism thought and mass management;“The theory of Anatman”,“Inaction thought” and the thought of tasteful aesthetics and “mind only” with “realm”.The first chapter,focus on carding Liang Qichao's Buddhism and aesthetics thought.On the one hand,we can divides Liang Qichao's Buddhism into before and after the reform movement of 1898,the period of exile in Japan and the period of devoted himself into the study of Buddhism and can summed up two aspects of Buddhist attitude about “Buddhist note” and “I note the Buddhist”.On the other hand,carding the main form of Liang Qichao's aesthetic ideas,by contrast,we can know that Liang Qichao's Buddhist works and aesthetic works written in synchronization with the time.The second chapter,focuses on the relationships between the novels as a kind of literary form,the Buddhism and mass management of Liang Qichao.It first discuss the novels “four kinds of aesthetic force” about “xun”,“jin”,“ci”,“ti” in the article of “Review on the Relationship between Fictions and Mass Management”.This “four force” has some Buddhism color in the concept;Secondly,it indicate that the novel and the Buddhism is in the purpose of social function and all has revolutionary political color.At the same time,it is worth paying attention to that Liang Qichao did not ignore to attach importance to the novel's aesthetic value of literature and Buddhism philosophy meanings,and the instrumental explication of those two aspects must be rely on the novel and Buddhism's special value to achieve.The third chapter elaborates the relationship between Liang Qichao's thought of tasteful aesthetics and Buddhism thought.On the one hand,“The theory of Anatman” is a very important precondition of the thought of tasteful aesthetics and influenced by the “The theory of Anatman”of Buddhism.It is the spiritual self which has a big transcendence.On the other hand,through textual analysis showing that the “Inaction thought ”which Liang Qichao advocated in his Buddhism has an expressive influence on the construction of “undoing-is-doing” thought in his aesthetics.The fourth chapter,discussing about Liang Qichao's Buddhism thought in “mind only” and“artistic conception” have an effect on the “aesthetics realm” theory.Firstly,summarizes the Liang Qichao's Buddhism view of “environment created by the heart”,and also explicate it's source in Buddhism.Secondly,through the comparison between Liang Qichao's “aesthetics realm theory” and Wang Guowei's “realm theory”,we can draw a conclusion that “state of mind” is the core of his “aesthetics realm” theory.And the formation of this core had a very big influence by the“spiritualism in Triloka”.Finally,analyze the using of Liang Qichao's“aesthetics realm” thought in the source of the thought of tasteful aesthetics,and so as to realize that“aesthetics realm” of Liang Qichao made a profound influence on his tasteful aesthetics.In postscript part,firstly takes the aesthetic education as an example,giving a briefly discussion on that Liang Qichao's Buddhism thought make difference to other aesthetics aspects.And then,thinking of the relationship between Buddhism and aesthetics thought from modern chinese aesthetic history and drawing the western resources to provide a useful reference for the modern chinese aesthetic with Buddhism and aesthetics.Buddhism plays an important role in the transformation process of Chinese classical aesthetics modernization.However,the actually existing Buddhism elements of Liang Qichao's aesthetics thought can provide a case study for inspect that Buddhism has played an important role in the grafting aesthetic construction process.