A Study Of Mou Zongsan's Aesthetic Thoughts

As a representative of the most critical in the modern new Confucianism,Mou Zongsan's philosophy of positive thinking of western aesthetics,the "moral metaphysics" as the philosophical foundation of the aesthetic thoughts of western aesthetics not only the intercom Mou Zongsan nication and made outstanding contributions,but also had a profound impact on China aesthetics in twentieth Century.Based on the "moral metaphysics" as the breakthrough point,using the method of comparative analysis,combing the development history of aesthetics Mou Zongsan thought theory origin and philosophical basis,comprehensive and in-depth research and construction level of the aesthetic ideas,to display the picture Mou Zongsan's aesthetic thoughts,unique value to reveal the aesthetic ideas and significance of the study of contemporary aesthetics of China.This paper is divided into six parts.In the introduction,the author gives a general overview of the aesthetics.Through the analysis and comparison with Kant's aesthetics,this paper highlights the uniqueness of the aesthetics in the philosophical foundation,aesthetic structure and aesthetic realm.In addition,this part has carried on the commentary to the present situation,and analyzes the insufficiency.Finally,it discusses the value and significance of Mou Zongsan's aesthetics.The special value and its significance to the study of Chinese contemporary aesthetics.The first chapter mainly introduces the development process of Mou Zongsan's thought and the theoretical source of aesthetic thought.Through the combination of diachronic and synchronic,it presents the track of the development and perfection of Mou Zongsan's aesthetic thought.It can be seen from the development process of Mou Zongsan's thought that his aesthetic thought has obvious stage and is a process of continuous improvement.From the theoretical point of view,Kant's aesthetics,Chinese classical aesthetics and new Confucian aesthetics have a direct impact on the aesthetics of Mou Zongsan Mou Zongsan,and it runs through the whole process of the formation of aesthetics.The second chapter is the analysis of the philosophical foundation of Mou's aesthetics."Metaphysics of morals" is not only the core idea of Mou's philosophy,but also the premise and foundation of his aesthetic thought.Three aspects of the possibility and certificate of connotation,this chapter intellectual intuition of its existence into the affirmation of the intellectual intuition,this certainly is the philosophical foundation of Mou Zongsan aesthetics provides a theoretical premise.In addition,from the aesthetic point of view,the author gives a comparative analysis of intuition and aesthetic intuition in order to highlight the characteristics of intellectual intuition.The metaphysics of morality not only has the possibility of establishment but also has the reality of establishment: the existence of "conscience" as the noumenon of morality and the existence of two layers of ontology.Thus,based on the intuition of wisdom,and at the same time,with the "conscience" as the noumenon,the philosophical foundation of "moral metaphysics",which is connected with the two level ontology,has been completed.The third chapter focuses on the construction of Mou Zongsan's aesthetics.This part of the aesthetic structure are respectively said and saying,the aesthetic judgment principle without principle,the aesthetic realm of goodness realm and the aesthetic form of the pure four parts from the whole show of Mou Zongsan's aesthetics in aesthetic appearance: general structure,the four said clear were really good the United States said and laid the foundation for the establishment of unity ",respectively,said independent of truth,goodness and beauty through said pointing to the" true beauty is good".On the principle of aesthetics,Mou Zongsan denied the principle of the purpose of non purpose of Kant,and replaced it with the principle of Chinese character.In the aesthetic form,Mou Zongsan's highly pure,pure and Canada it and Kant to comparative analysis so as to highlight the value of beauty.In the aesthetic realm,Mou Zongsan will be the highest point of the circle of good.The circle of good and evil for the life of the subject,at the same time with the guidance of moral practice and aesthetic appreciation of the double meaning.In the process of the construction of this aesthetic thought,Mou Zongsan has always been on the basis of "breaking" Kant's aesthetics.In the fourth chapter,the author makes an evaluation and Reflection on the significance and limitation of Mou's aesthetic thought.Mou Zongsan takes Chinese aesthetics as the basic standpoint,and promotes the dialogue between Chinese and Western aesthetics by criticizing Kant's aesthetics.In the process of renovation and construction of aesthetic features of aesthetics of Mou Zongsan will gradually come out,he is in "broken" as the main research methods and aesthetic features of "metaphysics" as the main card into the route.The limitation of Mou Zongsan's aesthetics is more prominent.As a kind of aesthetics,which is based on the "Metaphysics of morals",it is inevitable to have the absolute idealism color,and it Making Mou's aesthetics divorced from real life.The last part is the conclusion.In the cultural collision between Chinese and Western philosophical aesthetics,it is very important to absorb other cultural values and to promote the unique value of Chinese aesthetics.Therefore,for the differences between Chinese and Western culture,we should be based on the concept of "seeking common ground while reserving differences" and take a more tolerant attitude,any form of ethnocentrism is unfavorable to the Mou Zongsan nication between Chinese and Western aesthetics.