A Study Of The Language System Of Tibetan Court Dance

This dissertation aims to analyze the Tibetan royal dance language system,which is based on the main study of the case of Tibetan royal dance,like "Ger." and "Nang Ma”.The royal dance," Ger." and " Nang Ma”,which has many other cultural characteristics like religious colors and religious sacrifice of and,as an important part of the Tibetan palace feast.The author relay on the history to analyzes the Tibetan dance language from the perspective of linguistics,semiotics and multimodal discourse media,and analyzes the Tibetan royal dance from the perspective of linguistics,which provide a new perspective.This dissertation is divided into four parts for analysis:Firstly,through the study of the formation and evolution of the Tibetan royal dance,combining with the political background of the Tibetan royal dance is explored through the study of the system of political and religious unity.Secondly,through the "big,small tradition" dance field of comparative analysis,to explore the Tibetan royal dance is a large traditional culture under the royal dance.Thirdly,from the perspective of body linguistics,this paper discusses the language of the Tibetan royal dance by "meta-language" and the ritual structure of the Tibetan royal dance.Finally,from two aspects of the ontology of the body language and the non-ontology of the body language of Tibetan court dance,this dissertation analyzes two complementary relationships of their center in body language.In the analysis of the ontology of body language,the formation of the Tibetan court dance is grouped and the speech function is enhanced to make it become to center of the body language.In the non-ontology language system,under the multimodal discourse media system,the dance media system of Tibetan court dance has a complementary effect on the central language.