The Change Of The Photo

Portrait is an ancient painting in Chinese painting,the ancients also known as the"portrait" or "writing",refers to the depiction of the image of the characters,which contains the meaning of real people writing.As an important part of the figure painting,portraits and figures are closely related.In the process of the development of the figure,the portrait plays a key role in it.However,for a long time,the portrait has been developing slowly in the actual creation.The long-term transmission of the image and the intervention of the ancient phase have caused the pattern and conceptualization of the portraits,often showing the shortcomings of thousands of people,the practical value and art of the portraits The value is not really in the practice of real practice.And this situation in the Ming and Qing Dynasties has been greatly improved,then the portrait of the painting in the Western painting under the influence of the traditional portrait produced a new portraits,for the art of art into a new vitality and power,which also Become an important change in the development of portraits.Western painting under the influence of the Ming and Qing Dynasties portraits,showing a fusion of Chinese and Western new art form,which retains the traditional Chinese painting ink and ink characteristics and fully learn the experience of Western painting art,which has a strong artistic vitality,and even the moment of painting and portraits But also within its scope of influence.Therefore,this paper takes the change of the portraiture art of Ming and Qing dynasty as the breakthrough point,explores the influence mechanism of western portraiture on native portraits,analyzes the real situation of the Ming and Qing dynasties portraits influenced by western painting,and according to the difference of the degree of influence of western painting Divided into different art categories.On this basis,this article further combined with the Ming and Qing dynasties painting and pictorial works to explore the Ming and Qing dynasties,the inherent motivation of the change.Under the influence of the western portraits,the portraits of Chinese portraits gradually absorb the modeling methods of western painting,and then promote the development of the realistic techniques of portraits.These aspects are the internal roots of the new portraits.This paper is divided into four chapters.The first chapter discusses the practical value and artistic value of the portraits.The unity of the two is the fundamental appeal of the portrait painting creation,which also provides the possibility for the portraits of the Ming and Qing dynasties to accept the influence of the western painting.The possibility of becoming a reality,local portrait painter began to learn Western painting,Western portraits and local photography began to achieve integration.In the second chapter,we divided the traditional portraits,eclectic portraits and Western-style portraits according to the difference of the degree of influence of the Western painting in the Ming and Qing Dynasties,and analyzed the paintings of the representatives.The third chapter explores the inner motivation of the change of the Ming and Qing dynasties,mainly from the three aspects of the change of the concept of the art of portraiture,the influence of the western painting modeling method and the development of the portrait technique.The fourth chapter discusses the influence and revelation of the portraiture in the Ming and Qing Dynasties.The follow-up influence of the portraiture in the Ming and Qing Dynasties spread to the modern figure painting and portraiture creation,which has the influence of persistence.And in the current cultural exchange how to deal with the impact of foreign art on the issue,the Ming and Qing portraits also give us the corresponding revelation.