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The Exploration Of The Movement Principle Of Chinese Classical Dance

Posted on:2019-05-08Degree:MasterType:Thesis
Country:ChinaCandidate:W J FengFull Text:PDF
GTID:2355330545494964Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
From the beginning of the construction of Chinese classical dance body rhyme,as a core course,runs through the teaching,performance and creation of the whole subject,which is the important foundation of the national attribute and aesthetic style of the subject.Body rhyme,as a stylistic course,contains Chinese traditional human skills,including its starting mode,movement track,aesthetic form and philosophy,but there is a lack of systematicness in the cultural tracing and theoretical exploration of the mechanism of body rhyme movement capacity.Scientific combing and summing up,this paper,on the basis of the existing research and combined with the relevant discipline theory,aims at exploring the theoretical origin and combing of the principle of body rhyme movement and the principle of style,so as to construct the discipline of classical dance in China.On construction to provide reference.This paper tries to analyze the theory and practice of Chinese classical dance body rhyme from three angles of view.The first part discusses the cultural origin and scientific rationality of the relationship between "meaning","qi","force" and "form" in the process of body rhyme movement from the theory of Dantian and the field of human body science.The third part tries to further explore the above principles from the aspect of dance teaching and performance.
Keywords/Search Tags:Body rhythm, Principle of capacity, Dantian, Style
PDF Full Text Request
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