The Field And Cultural Interpretation Of The Songs Played By Yunnan Midu Qingshui

Qingshui Dage is a kind of traditional Yi's Dage,spreading in Qingshui village,Hongyan town,Midu county,Dali city,Yunnan province.Dage is an existing ancient dance form as well as an ancient Yunnan “Tage” remain in Yi ethic.It is a wide-spread self-entertaining dance form in Yunnan Yi ethic.“Qingshui Dage” is accompanied with hulusheng or bamboo flute,men and women in pairs in parallel circles,no number limit,one man in the center of the circle plays the lusheng and two men wield broadswords.The rhythm of the dance is slow,people dancing while singing,there is an atmosphere of light singing and slow dancing.Two men wield the broadswords to the pace to perform the sword techniques of ancient war,praising the ancestors.The broadswords dance is part of Qingshui Dage and an important characteristic to distinguish from other Yi's Dage.The author went to Qingshui village for three times to conduct field investigation.Based on the observation and records of committee-organized Dage and funeral Dage,from the aspect of field presentation,cultural acceptance,This paper records the form of Qingshui Dage,analyzes its dance form and dance rhythm characteristics,and explains the root of dynamic presentation.This paper is divided into the following three parts:The first part outlines the geographic environment,historic evolution and present cultural religion of Qingshui village,Hongyan town,Midu county,Dali city.Take the geographic,historic and cultural environment as starting point to sort out,it lays foundation for the formation of local dance,form analysis and cultural selection.In the second part,a comprehensive record is made on the main body,time,space,process,music,props,clothes and functions of Qingshui Dage.First of all,in the context of presentation,the naturally occurring form of Dage in festivals is taken as the research object,and gives objective representation from the dance subject,dance time,dance space,dance process four aspects.Secondly,in terms of external presentation factors,the author sorts out the requirement and characteristics of the music,props and clothes of Qingshui Dage,providing evidence for analysis on the dancing form.Then in the dynamic presentation of dance ontology,the author gives thorough description and record the steps and dynamics of the dancers,sword-dancers and lusheng players in the Dage process.And it analyzes the dance morphological features and morphological causes of Qingshui Dage.The third part through the analysis on the above two parts,from the three aspects of the mental mechanism of the dance subject itself,cultural heritage of Nanzhao Golden age and the harmoniousatmosphere of the cultural share of local ethics,explaining the present cultural form of Qingshui Dage and explores the cultural recognition and choice of dance culture possessors.