"The Impermanence, Causality," The Study Of The Magical Reality Of The Film Of The Abitaban Velashagu Film

In many traditional stories,there is a simple theorem-causal,countless due to the countless number of fruit,continuous arrangement and formation of a huge causal relationship,these relationships can become more at the same time,this is the state of life,but also The state of the world is more likely to be the state of the universe.The production of the film has its own trajectory and form so far.This article attempts to study the Thai film(2000-2015)of Pechampur Velashagu from a single point of view Those magic scenarios to create ways.From the experience of Thai culture and folk custom to Apichatpong's learning experience to the creation experience and the story behind the movie,the same way as in different geographical countries in terms of film language analysis,symbolic analysis,film aesthetics and movie philosophy Comparing the works,it is also a new way to understand the works of Apichatpong.The film is the light,the movement,the time,the memory,the elusive dream.The image has its own life,what is behind the image to support these illusory light,sort out the context of a magical realistic theme creation,from daily growth to folk tales,the process of the growth of Apical and subsequent travel experience,by The influence of RTHK's films and Thai native culture,combined with the cinematic cinema language,became the unique feature of the film belonging to Apatek State we see today,an impressive reminder of no definition.Show apathai state thai movie.