Research On Conceptual Art Images And Texts From 1966 To 1977

In the era of globalization and artificial intelligence,the end of form and art history,the open boundary is the problem that many artists pay close attention to and ponder at present.In the art practice,the thought that the artist faces is no longer the problem of the development of the form and art history,more thinking is how to move from the fragmentary artist creation case to the open system of multi-angle.This is a time to reconsider the classical art,this article expects the artistic practice of artists in the technical aspects of the material processing in reference to more logic and context for reference and reflection.First,the author begins with the analysis of the works of concept art practice,and expounds the influence of categories,boundaries and history.From the classical enlightenment to the art to replace the philosophy of consciousness and thinLking,accompanied by the complexity of the artistic creation of personal adjustment of the manifestation.So this article tries to comb the idea as the logic of individual consciousness.Starting from the social background of concept art,this paper thinks about the change of sculpture language and boundary,and expounds the influence of concept art on artistic practice.The fuzzy boundary Thinking in architecture is incorporated into the art practice to minimize the scope of elaboration.The concept of artistic practice and philosophical aesthetics of thinking,the emergence of boundaries,as well as the impact of contemporary art practice is described in this article,as far as possible from the artist's example of the concept of the theme of the art of deep and shallow study.Finally,it concludes that the identity of the art and art history,the unity of Substance and concept.