The Evolvement And Development Of "Kou Han"

As an important and negligible part of the ancient martyrdom culture,square is an ancient funeral custom in China,which is inherited in the world.In this paper,the texture,the texture,the texture,the texture and the utility of “Kou Han” are studied.The expression vector is the texture,shape and texture of the square.The purpose of this study is to try to find and find out the problems and the possible ways to solve the problems based on the unique archeological site data in each historical period.In the meantime,the paper studies the cultural ideology of squares in contemporary martyrdom culture.The paper studies the slightly different and identical structures in “Kou Han” caused by the cultural differences between different nationalities.According to the research method of small to big,the paper discusses the cultural,class system,ritual apparatus and even cultural ideology of the ancient people,and finds that the square culture of martyrdom is derived from the Stone Age,which reached a climax in the “Kou Han” dynasty and has declined till now.Material also from the previous stone,bone,stone color transition to soft jade and jade quality,metal texture,most of which is jade.From the“Kou Han” dynasty before the formation of a variety of unified shape for the shape of cicada.As society encourages simple burials,the mastic squares decrease and disappear.At the same time,through the study of the mouths of the funerals,the cicada shape,one of the most important forms,was found.This cicada-shaped form,as a jewelry design element well known by designers,has created many classic works.As well as the relationship between mouth and human mouth,the inclusion and inclusion has become a unique creative point inspiring jewelry designers today.The author also designs and manufactures a series of jewelry works of "Han" through the "inclusion" relationship embodied by mouth,and makes a bold attempt to use this "inclusion" relationship to make a non-fixed mosaic.