The Mazu Temple In Quanzhou Architectural Art And The Spirit Of Place

A construction sites,through the spatial layout and architectural decoration of the building to convey the cultural connotation and spirit of the place;at the same time also depends on the manifestation of the spirit of the place,this location has the celebration of joy,sadness,and to accommodate private or public activities.Tin Hau Temple in Quanzhou spirit of place is mainly reflected in the characteristics of the actual situation of two places.The real part of the spatial layout,architectural style and architectural decoration,reflects the qualities of God space;imaginary part is the relationship of the Tin Hau Temple places and people involved in the activities and the environment through a variety of vulgar letter activities express their places meaningful to its premises or solemn,or a relaxed atmosphere.Reflect the civil and living spaces.These two characteristics and interrelated formation of Tin Hau Temple in Quanzhou place embodies the spirit of the moment.According to the Norwegian architectural history and theorist Christian Norberg Schultz(ChristianNorBerg-Schulz)on the spirit of place theory as a methodological guide,Tin Hau Temple in Quanzhou spirit of place from the impact of factors that constitute the spirit of placespaces phenomenon;through the place space level expression and decorative details that place structure;Tin Hau Temple special divinity space characteristics of a place that is the spirit of place these three aspects of development.Therefore,the protection and preservation of the Tin Hau Temple spirit of place means that some kind of new historical stage,to pay more attention to Tin Hau Temple,from the point of view of the spirit of place to observe again the building itself and its surroundings,and give folk architecture protection and Development revelation.