The Aesthetics Of Tectonic In The Ming Dynasty And Its Research In The Contemporary

As global cultural exchanges become more frequent,contemporary architectural creations are booming.These active atmospheres have brought about the gradual renewal of design techniques and design concepts in contemporary architectural creations,and have also contributed to the return to the traditional Chinese architecture.On the other hand,after the fortune of foreign master works in the Chinese market,there is an incomplete understanding of traditional Chinese architecture and the architectural characteristics,which has made Chinese local architects confused and worried.Therefore,it is necessary to correctly understand the construction methods and aesthetic composition of traditional Chinese architecture,so that it can be preserved from the perspective of history and aesthetics,and can better serve the contemporary architectural design.This paper makes a further analysis of the internal order of traditional Chinese architecture,re-examines traditional Chinese architecture with contemporary aesthetic thinking,and proposes the corresponding concept of constructive aesthetics based on the study of cultural construction.From this perspective,re-examine the nature of the construction of our classic traditional buildings.In this perspective research,we strive to apply the innovative ideas in contemporary architectural aesthetics to analyze the construction of the Forbidden City in the Ming Dynasty,and focus on the enhancement of the aesthetic value of architecture.The building’s material performance,structural performance and overall structural approach,as well as construction factors such as the construction process,are incorporated into contemporary architecture with local design.This article is divided into three parts.The first part is the general theory.Firstly,it explains and interprets the concept of tectonic and tectonic aesthetics,and shows the several levels under the two noun concepts discussed in the key chapters and the important concepts applied to them.The perspective provides several basic aspects for us to think about traditional architecture in the Ming Dynasty.The second part is a brief description of the cultural background of the Ming Dynasty architecture and the architectural aesthetic tendency and architectural construction tendency derived from the same cultural conditions.The third part isa detailed explanation of the tectonic aesthetics of the Ming Dynasty architecture.The fourth part is about the contemporary outlook and principles.