Study On The Decorative Painting Patterns Of National Architecture In Gannan

The author has always been interested in the regional culture of Gannan,and the author feels that different regions will produce different cultural differences.This the sis takes the ethnic decorative painting patterns of Gannan as an example,collects,consults,sorts and analyzes the unique artistic style of the rich ethnic decorative painting patterns of Gannan in the context of the mutual learning between Tibetan and Chinese culture.Adhering to the purpose of combining theory and practice,digging in the outstanding characteristics hidden in the national culture of various places,developing and integrating and using unique cultural resources,extracting its essence,removing its dross,and inheriting the colorful non-legacy culture,it has certain Practical significance.Taking the decorative patterns of ethnic architecture in Gannan as the main line,analyze the geographical environment and historical and cultural background generated by decorative patterns of ethnic architecture,and understand that the ethnic culture of Gannan not only retains the unique charm of the local Tibetan culture,but also integrates the all-encompassing and profound knowledge of the Central Plains.culture.Combing the composition,characteristics,application,artistic characteristics and aesthetic value of decorative painting patterns of ethnic architecture in Gannan area.In the process of writing the thesis,a large number of specific research activities were carried out,and the research methods of fine arts,folklore and architecture were comprehensively used.Through the comparison of patterns,we explored the most characteristic and symbolic features of the decorative painting patterns of ethnic architecture,as well as its social,religious,educational,and aesthetic functions.The traditional m anufacturing process and development of the decorative painting patterns of ethnic architecture in Gannan,status and inheritance methods were discussed.