Study On The Remaining Literature Of The Liangzhu Drama In Ming Dynasty

The Liangzhu story is one of the four folk legends in China,and it has been spread more than 1600 years since the Eastern Jin Dynasty.During these long years,the folk artists and scholar and word of mouth in people process this beautiful story into the lanes,the stage and the barnyard together,with a large number of the popular works being emerged.In the spread ways of this story,the opera is the most influential,In the early Yuan Dynasty,Bai Pu has created the drama" Zhu Yingtai married Liang Shanbo in death ",but the script has been lost and only the repertoire retained.To the Ming Dynasty,a number of works about Liangzhu also has been published.The Liangz hu opera of Ming Dynasty provides a lot of inspiration for future generations with the plot arrangement,the characters shaping,the libretto and dialogue creation and adaptation and so on,that is an extremely important section for the whole Liangzhu opera and the Liangzhu Legend Group.However,a large number of data of the Liangzhu drama in Ming Dynasty are not intact,most people have been unable to ascertain.This paper intends to Liangzhu drama remains literature of Ming Dynasty as the research object to do research,in order to make a supplement for the current research of Liangzhu culture.This study will be mainly based on the current remains literature of the Ming Liangzhu drama,using literature and texts textual analysis and other methods to compare and discriminate the different artistic style between the Ming Dynasty Liangzhu drama,delineat a general outlook of the love story in that time,and also try to explore the changing of the main drama plot and the interactive penetration between the folk narrative and the opera plot patterns.The main contents of this paper can be broadly divided into three chapters.The first chapter mainly sort out and analyze the remaining repertoire and parts of drama context in Ming dynasty,which were been recorded by some famous playwrights such as Lv Tiancheng.Qi Biaojia and someone without name,and been collected by many later scholars with a great hard work.In the second chapter,it will trace back to the Liangzhu story's development before the Ming dynasty firstly,and then do the research focusing on three classic plots complited in Ming dynasty_"study with gender-bending" "eighteen-mile send off ' and "co-mound butterfly",in order to explore the underlying causes of the drama plot mode's formation process tends to stereotyped and classic,to analyze the implicit reason and the artistic rules and mine the value of this drama in the Ming Dynasty.The third chapter firstly focused on discussing about the influence of folk narrative through variation of the plot pattern of the Liangzhu drama,secondly,analyzing the dynamic process on its scholarly narrative and folk narrative of mutual penetration,and exploring the fundamental reason of maintaining its vitality of the excavation stage,in order to provide some inspiration to the adaptation and dissemination work of modern drama.