Artistic Peculiarities Of Poetry Of D.Prigov In The Context Of Moscow Conceptualism

Moscow conceptualism is an important direction of Russian postmodernism,avantgarde expressing his attitude to abrupt changes in Russian society during the past half century.Among representatives of this direction,Dmitry Prigov is considered the most striking,whose poetry was included in the textbook of the Russian school in one row with classic.Lately,in Chinese academic circles has increased interest in contemporary Russian literature.Although many linguists drew attention to the prose of Russian postmodernism,there is no systematical analysis about the important poetic direction-Moscow conceptualism.Moreover,it should be noted that D.Prigov as an important poet of modern Russia,does not use enough care in Chinese research circles,as not a single monographs and articles devoted to the study of poetry of D.Prigov in China.In this regard,our attempt to study the poetry of D.Prigov in the context of Moscow conceptualism is actual not only because there is a possibility to get acquainted with the style of contemporary Russianpoet D.Prigov and with the direction Moscow conceptualism,but also because through this study in one way or another it is possible to comprehend a new situation in modern Russian literature.In view of the artistry and comparative poor knowledge of D.Prigov’s poetry our study has certain theoretical and practical significance.Theoretical significance of the work is explained by the fact that this thesis will help to enrich the study of D.Prigov’s poetry and Moscow conceptualism in China,toprovide the Chinese Russianists new theoretical understanding of the spectra poetry of D.Prigov,to expand knowledge of the Chinese readers of contemporary literary process in Russia.Practical significance of the research is that the study can benefit teachers and students in lessons about modern Russian literature.The results will also be useful for those,who is interested in Russian contemporary poetry and poetic flow.The novelty of our study is that the focus is on contemporary Russian poetry in the face of conceptual poet D.Prigov.At the moment scientific papers on modern Russian literature,mostly focus on prose.Moreover,only a small informative articles written on the topic of Moscow conceptualism,and the poet D.Prigov remains little-known among Chinese readers.At least the study of artistic peculiarities of poetry of D.Prigov is set to fill the gap in the study of modern Russian literature,and provide a more holistic view of it.The dissertation consists of an introduction,fourth chapters,conclusions,list of main references.The first Chapter presents the definition of the literary movement "the Moscow conceptualism",the condition and the process of its development,biography and the role of D.Prigov in this direction,and the current situation of the study of the poet D.Prigov and Moscow conceptualism in Russia and in China.The second Chapter addresses a key topic D.Prigov’s poetry is deconstruction of Soviet culture by analyzing the deconstruction of the theme of the "little people" and"great Russian poet" and the deconstruction of Soviet power in the poetical works of D.Prigov.In the third Chapter attention is drawn to the genre experiment D,Prigov in his poetry,to two main genre of poetry of D.Prigov:visual poetry and verbal poetry.Special emphasis on dialogism and anti-poetry D.Prigov’s verbal poetry.The last Chapter is devoted to a number of artistic techniques in the work of the poet,as a lexical and stylistic device.Through the use of conversational speech,quotations and repetition,the irony of Soviet culture has achieved in the poetry of D.Prigov.In conclusion of dissertation the results of the study will be summarized.