The Research On The Theme Of Song Jin's Brick Carvings In Yan'an

Song-Jin Dynasty is a frequent periodof interaction between the Central Plains Dynasty and the surrounding ethnic minorities in the cultural,economic,political and other aspects.Yan'an is a area of various cultural crossroads in the Song Dynasty.Song,Jin and Xixia competited in the area at that time.So it is the focus of the intersection of various cultures.Therefore,the brick carvings found in this area contained rich cultural and historical connotations,and is an important subject in the study of history.The wholepaper is divided into six parts.The purpose of this paper is to analyze the theme of Song-Jin's brick carvings in Yan'an from the perspective of cultural history,which is divided into six parts:The introduction part mainly defines the Song-Jin Dynasty and the Yan'an area,and analyzes the present situation of the subject of the brick carvings in Yan'an and domestic country during the song-Jin Dynasty.Due tolack of attention,the present study of Yan'an Song Dynasty brick carvings is less,and the research stays at the stage of material arrangement and surface analysis.The first part is an overview of Song-Jin's brick carvings in Yan'an.It introduces the basic situation of Song-Jin's tomb brick carvings in Yan'an area,and Mainly divided into five categories: fire class character "Yangko dance,Drama,religious themes,music classes,other classes.On this basis,I analyzes the Song-Jin etiquette function of Yan'an brick carvings and I consider the brick carvings has some function.There is the concept of filial piety Mian featuresembodied the Buddhist concept in the funeral culture.The entertainment features is the people to express feelings after the death of ideal society enjoyment,including front of Chuiwan,fire,and other recreational activities like a continuation of drama.The second part is the reason of the Yanan brick carvings.This part has used the cultural factor analysis method to carry on the analysis to the Yan'an Song-Jin brick carvings.The Song period of business had been developing rapidly the industry increased differentiation and promoted rapid prosperity of handicraft industry.Mass production development of funeral related handicraft and brick was the economic power of thegeneration and development of brick Song and Jin dynasties;The spread of the brick had a theme of religious thought traction deep;multi-ethnic integration of cultural elements of all ethnic groups greatly enriched the contents of brick.We will find in the tombs of space decoration is no accident to brick in Yan'an of Song-Jin.The third part is the Comparison between Yan'an' Song Dynasty brick carvings and other regional brick carvings.In Yan'an,Shanxi south,six subjects bricks in Gansu Qing Shui three(Yangko dance,Filial piety,Woman open the door,Music drama,Propitious animal),brick carvings themes,we will find both differences and similarities.Diversity is a large amount of Shanxi brick,and a wide variety of Qing Shui and Yan'an,which can be described as "he did not have me,he has my advantage";Gansu Shimizu is more regional style;Yan'an is less quality,Yangko dance is its most notable features.The similarity lies in the similarity of the ideological content of the three brick carvingss,and the sense of identity in this period made the brick carvings popular all over the place.Therefore,there are three reasons for the popularity of brick carvings culture:The wind of the grand funeral,the special geographical position of the three places and the promotion of military immigration policy.Therefore,by analogy research,we can further explore the characteristics of Yan'an brick carvings theme.The fourth part is The Yan'an Song Jin brick carvings embodies the characteristics of cultural integration.From the point of view of the combination of cultural elements,the same brick contained several different cultural elements and the same space contained a wide range of different cultural types,which reflected the cultural phenomenon of the song and Jin Dynasties.The last part is the Conclusion.Brick in Yanan Song-Jin is a representative of regional culture in the specific historical background,which is one of the manifestations of song and Jin cultural prosperity and had a profound effect on the Yuan Dynasty culture.Anyway,the contemporary popular folk art,such as Yan'an folk paper-cut,peasant painting art originates from the brick.These works of art had maintained a strong vitality.The enduring reason is the cultural heritage of the lower class.