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The Artistic Contribution Of The First Generation Of Dizi Players In New China

Posted on:2019-08-15Degree:MasterType:Thesis
Country:ChinaCandidate:C HuangFull Text:PDF
GTID:2405330542497177Subject:Music
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As the oldest musical instrument in our country,the Dizi has spanned a long history of more than 9,000 years.It's not only a national musical instrument but also a cultural symbol.However,the change and spread of Dizi culture has been influenced by politics,culture,society and economy from beginning to end.However,due to historical reasons,although China's Dizi art has a long history,it still as a supporting role,and the status of Dizi artists is still low.The major changes in the status of the Dizi were performed in the national folk music and dance festival in 1953.As a Dizi artist,Feng Zicun as a subordinate,unimportant Dizi into a state-of-the-art solo instrument.Feng Zicun and contemporary performers Liu Guanyue,Lu Chunling,Zhao Songting,etc.,They are the main characters in the writing of this article and are the first generation of Dizi performances in New China.They actively promoted the movement of Dizi from the back to the stage,and from folk art to professional art.The status of artists has also changed from folk artists to professional groups and college teachers,which is a milestone significance for Chinese Dizi art.The academy,and systemization of Dizi art have made great contributions.This thesis consists of five parts,the first chapter is the introduction part,which mainly describes the background,significance,predecessors' research results and research methods.The second chapter describes the development history of Chinese Dizi art and divides it into two sections by referring to a large number of materials:one is the development of Dizi from ancient times to the Ming and Qing Dynasties,and the other is the development status of Dizi music since the founding of New China.The third chapter is an overview of the art of Dizi performers.In the aspects of composition,creation style,performance skills,flute reform and musical aesthetics,the work of the first generation of Dizi performers in China was studied.The fourth chapter is the contribution of the first generation of Dizi players and the positive significance of later generations.The last part is the conclusion of the paper.
Keywords/Search Tags:Dizi musician of the first generation, Arts practice, Contribution to the art
PDF Full Text Request
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