The Aesthetic Study Of The Ritual Of "Da Ga" In Guizhou Yi Nationality

Fifty-six ethnic groups form a large population in China,and the interweaving of these ethnic groups is also an integral part of Chinese culture.The yi people has a long history of culturel heretoge with their own unique language or special writing stlyes.Relying on these carriers of culture which continues to this day,our culture can be passed on.Some limitations are inevitably followed by the class nature of the nation,most of the document could not be properly preserved and destroyed in the long river of time.Some of them are incomplete while some are incomplete.It is because of recognition that The current situation is critical.The governments of Sichuan,Guizhou and Guangxi and the Department of Cultural Affairs have attached great importance to these problems at all leves.Private collections of documents,the hosting of ethnic activities,and the education of ethnic languages are also valued by the governments.Compared with the other three provinces,Guizhou is lessdevelopment especially for cultural protection.Such as the awakening consciousness is lagging,resources are stretched,and propaganda is still need to be strengthened.However,the protection of the culture can not be delayed.This is also the original intention of the author.In the yi language,"Da ga" means "a series of ceremonies about ancestor worship" which is an extremely important part of the Yi culture.Because of its uniqueness,it looks so mysterious and beautiful magic to the outside world.This article traced the history of the Yi people and explored the causes by analyzingthe formation of aesthetic view of the Yi nationality and the aesthetic elements existing in the "Da ga" activities step by step,.Therefore,the article is divided into four parts in the order of appearance and in order.These chapters have been elaborated with following aspects:The first part is introduction,which gives the background and significance of the author's research motivation,writing ideas,literature review and the current research status.It is an important stepping stone for the "inheritance";the second part is about the history of "Da ga".The review and reflection in real life comprises the first chapter and the second chapter.Through these two chapters,the historical background is sorted out to clarify the origin of the "hiccups" and the long-standing facts,supplemented by data from real life including activities which is related to fighting warfare.In particular,the "YIWENTONGSHU"wasa very valuable first-hand materials.It is not only recorded the specific plots of the ancient Shu people's "Da ga",but also described their life through pictures and graphic symbols.The aesthetic tastes of the ancient monks,such as the shaping of people,or the distinction between cows and horses,is unique and valuable for the further study;the third part analyzed the aesthetics of "Da ga" and the characteristics of beauty contained in it through aesthetic theoretical knowledge.Of course,it also includes the causes of beauty.This part is consist of chapter 3 and chapter 4.The final conclusion is the whole article.The final part of the paper,after the "advance before""after the start" part,summarized the conclusion and put forward the prospects for the development of yi culture in the future.Yi culture can join the ranks of the world's culture,looks remote To realize this distant dream,more researchers are required to adopt practices together.and in the process,especially for those who is willing to make its due contribution to the cause of the development for national culture.