Liu Zhenyun Novel Image Interpretation

In the1990s, with the improvement of the mass media market stepby step, the film and television culture suddenly appears and visualenjoyment gained the dominance in the aesthetic field gradually. Dueto the impact and influence of film-oriented visual culture, the numberof novel s readership continue to decline, its influence also graduallynarrowing, on the other hand, the audience of the film&TV hasincreased a lot. In the context of culture, many writers and authors haveto take a contingency strategy in the creation of novels. Thus, thecombination between literature and film has become a cultural choiceto expand the survival and dissemination of spatial.As one of the new era s most influential writers, Liu Zhenyun is the80s“new realism” novelist, and has cooperation on many occasions withFeng Xiaogang, who is one of the most famous film directors in China.He was also rewarded by “Mao Dun Literature Award” in21th. To Liu,literature and film are likely to be an interesting interaction. On the onehand, he is neither exclusive to writing for film and television thatcertainly the art of the film and television has its unique value.While onthe other hand, he focus on maintaining the fiction works of artisticvalue and defends his unique ideas and personality. The reasons whythe novels of Liu’s are remade into films&TVs frequently is not onlybecause of its colloquial, popularization, the irony of the language anddramatic structure of “montage”, even more of his novels’strongpractical significance. Place Liu’s novels on big screens will raise manypeople’s thoughts and result to thus play alerts and saves people thepurpose.From the perspective of novel visualization, and taking the Liu Zhenyun’s novel writing as a case study, the essay makes the analysis ofthe development of his novel in the context of popular culture, tries tograsp the basis of Liu’s creative direction and audience aestheticpsychology, Liu’s novel image of narrative to make a summary andsummarized. Full text not including the introduction and conclusion, isdivided into three parts. The first part illustrates the image of Liu’s novelcontext. The second part starting from the text, to explore the image ofLiu’s novel elements: First of all is realized that the theme of the novelhas a strong social sense and reality. Spoken, popularization, and theirony of the novel language is another key elements. The third key isdramatic,“Montage” novel structure, and by analyzing the differentperiods of the representatives of text to elaborate. The third partcontains analysis between the pros and cons of the creation of imagesof the tendency to contemporary fiction, and raises the new thinkingand the future survival of the literature.