Formation And Present Situation Of The Form Language Of Contemporary Urban Theme Landscape Painting

The city of painting can be traced back to the ancient world and genre paintings,this theme through many historical changes,until the last century in 90 s,the "city landscape" this concept,officially there is a term referred to,although it is proposed by scientists,Mr.Tsien Hsueshen,but the development has many art experts recognized,attracted widespread attention.In the face of the transformation of the times,the rapid development of the city and the change of people's aesthetic ideas,the development of the landscape painting of the city subject has become inevitable.The modern urban architecture is quite different from the picture depicted by traditional Chinese painting.The traditional pen and ink language needs to be changed in the face of modern element symbols,and a new formal language has been formed in the process of transformation.In this paper,through the method of stage research and analysis of works of the period,and through a large number of works summarized city theme landscape painting language in the form of dismantling analysis,explore the traditional landscape painting and the spirit of continuity,and learning from the idea and form of Western painting.Only by fully understanding the linguistic features of urban landscape painting can we explore its future development trend and grasp its spiritual connotation in the creation of this subject..