Study On The Performance Of The Fabric Of Contemporary Painting Clothing

Since ancient times,China has been a big country of clothing.Figure painting has always attached importance to the performance of clothing,and texture is a breakthrough in the study of clothing performance is very common,and very prominent.The texture is not only present but it has already appeared in ancient paintings.However,due to the importance of brushwork in traditional Chinese paintings,the texture was not developed at that time.However,it is widely used in today's diverse and open environment.This is a new trend of the times and is a new breakthrough and improvement without loss of tradition.It is typical and representative.There are many ways in which contemporary meticulous figure paintings can be used to express costumes.This article studies the textures.Through the development of the texture of the sculptural figures in combing pencils and pens,the types of textures in the contemporary meticulous figure paintings are analyzed: the textures of the pens and the non-printing textures.The two types of summarizing the concrete texture of contemporary meticulous figure paintings are mainly reflected in the positive expansion of tool materials: the reprocessing of traditional tool materials,The use of non-traditional tools and materials;experimental exploration of techniques and techniques: the pursuit of texture textures,the expression of ink colors;bold breakthroughs in ideas and concepts: borrowing from foreign art concepts,looking for inspiration from Chinese traditional culture.It is found that the textural representation not only enriched the expressiveness of meticulous figure paintings cloths but also had a positive effect on meticulous figure paintings and Chinese paintings though the summarize of three different types of textural representation.However,in the process of exploring contemporary facial expressions,the phenomenon of neglecting traditions,diluting spiritual content,and obsessed with texture effects has also emerged.After reflected on positive and negative aspects of textural representation,drawed the conclusion that explore the textural representation must hold the “Limitation” well.We should drawing on and integrating the foreign art forms and folk art forms on the basis of digest the tradition.It is not limited to existing tool materials in the application of tool materials.Old tool materials can be processed and reformed actively or explore new tool materials.In terms of techniques,can not abandon the tradition or rigidly adhere to traditional techniques.Explore new textural representation method.Can also draw on the performance techniques of other art forms;In terms of ideological concepts,it is not possible to texture for texture,but to enhance one's cultural qualities.Inspiration can be found in Chinese traditional culture,Western art concepts,and real life to enhance the ideological connotation of artistic works.Standing on the point to promote the development of the whole Chinese painting to explore the textural representation of modern meticulous figure paintings.