Tian Zhuangzhuang's Spiritual Culture In The Movie

"The fifth generation has long been the concept of time collection,and the fifth generation of the spiritual sense has been disintegrated." Tian Zhuangzhuang is a different person in the "fifth generation" director,compared with other directors,his direction is too bumpy.The early films are represented by the hunting ground and the horse thief,because the writing style and the content of the film are obscured,and the number of copies is occured a record low.In the medium term,the film blue kite was banned for ten years because of its sensitive subject matter.Today,Tian Zhuangzhuang is drifting away from the audience.For the film shooting,Tian Zhuangzhuang always has a kind of insistence on the self and the pursuit of art.He attaches great importance to the cultural spirit of the film content and pays attention to the spiritual world of the hero.He always treats the film with his own attitude.He is indifferent to fame and fortune,and the temptation of foreign things is not to be moved.It is also the persistence of Tian Zhuangzhuang.In today's slightly impetuous society,he has captured the artistic works of the spiritual world,which is full of humanistic spirit and focuses on the human spirit and the heart and soul of the person.This article is divided into four chapters,The first three chapters are divided into three periods,from the beginning to the present.Each period to choose two of the most representative film,through the analysis of interpreting the specific film inspects the attitude of the director at different times and cultural pursuit.The first chapter is the analysis of the specific research object of horse thief and hunting ground,Which is to reveal the thinking of Tian zhuangzhuang on the cultural spiritual theme of ethnic minorities.By analyzing the plot content and shooting skills of the two films,the film intension is deeply explored.From the documentary style of the work and the presentation of the culture of ethnic minorities to analyze the theme of the film.In the second chapter,the author explores the changes of the style of Tian Zhuangzhuang's director by analyzing the two films of the drum artist and the blue kite.This part takes the story as an opportunity to analyze the way of telling the story and the connotation of the story,then see the director on how to complete it in the process of telling the story of the hero spirit world of deconstruction,in order to reveal the director of this period film style.The third chapter is the specific research of wu qingyuan and the tea horse ancient road.This is two more special literary films,and it is aliterary film produced in the context of consumption culture.Therefore,the study of this part will inevitably involved the problem of consumption culture.This part focuses on the interpretation of the two films to further explain how Tian Zhuangzhuang adheres to the consistent pursuit of spiritual culture.The fourth chapter is the summary and extension on the basis of the first three chapters.Through the first three chapters,we have interpreted the film style of the director.On the basis of this,we have aroused our reflection.The article mainly makes concrete reflection on the film acceptance and the film story,which will bring some enlightenment to the film shooting later.