A Study Of Sichuan Propaganda Paintings During The Anti Japanese War

With the deepening of the study on the history of Anti-Japanese War,the research on the propaganda pictures of the national Anti-Japanese War has gradually entered the attention of researchers.Sichuan anti-japanese propaganda painting,which is an important aspect of China's modern history,has become one of the important subjects in the history of Anti-Japanese War which needs to be explored,sorted out and studied urgently.After the outbreak of the Anti-Japanese War,facing the fierce rise of the Japanese aggressors,the whole nation raised the climax of the campaign for national salvation.As a new form of literature and art,"propaganda painting",under the historical conditions at that time,became the "weapon" of Anti-Japanese War to save the dead and played a positive social role.In the face of an extremely grave national crisis,the geographical environment and unique location of the great rear,especially in southwest China 's sichuan province,have shouldered historical responsibilities.In 1937,the national government issued the declaration on the relocation of the national government to chongqing under the circumstances of the fall of Shanghai and the loss of the nanjing barrier.The whole southwest region and sichuan have undoubtedly become the main gathering place of cultural groups and domestic universities.At that time,the national major artists,art association and many art academy,and from different areas on the home front during world war,make the home front circle like the entire cultural,formed in chongqing as the center,with chengdu,kunming,yunnan,guilin center of equal mutual echo.Through the investigation of the specific historical facts of the development of propaganda paintings of the Anti-Japanese War in sichuan,this study aims to present the overall development of propaganda paintings in sichuan during the Anti-Japanese War."Introduction" part,the paper analyzes the academic value of this research topic,reviews the research status quo of sichuan anti-japanese propaganda,and from the perspectives of theory and data,this selected topic research feasible scheme is worked out.At the same time,the methods and academic innovations of this study are proposed.The body of the first chapter,replacement of the historical background of this study,sums up the development of the national fine arts during the Anti-Japanese War situation,probably in the national big background,interpret the development environment of sichuan propaganda,and find a sichuan contact across the country.Recover in the second chapter,the central city of chongqing in sichuan during the Anti-Japanese War,became the capital after the second half of 1937)the development of the poster,one by one,summing up the propaganda art in sichuan,chongqing's main art creation,art exhibition,art publishing,etc.In the third chapter,the art publicity of the Anti-Japanese War in chengdu,the capital of sichuan province and the important city in the rear of sichuan province,is restored.In the fourth chapter,the main form of propaganda painting of sichuan Anti-Japanese War is sorted out and the content of Anti-Japanese War is analyzed,which is one of the key points of this study.(to carry on the key analysis and introduction to the anti-japanese propaganda pictures such as victory and peace,sichuan peasants,people's suffering,etc.).The fifth chapter discusses the "historical significance" of the propaganda painting of the Anti-Japanese War and the relationship between it and the "realistic art",which is another key point of this study."Conclusion",and points out that the anti-japanese propaganda in sichuan province is a major part of the national art of the war of resistance agai nst Japan and the important embodiment,on display in the Anti-Japanese War period,many of the era significance of the work,to the victory of the Anti-Japanese War and the establishment of the international antifascist alliance made great contribution.In this process,the contribution of sichuan to the establishment and development of "realistic art" in China is summarized.