The Native Narrative In Jia Pingwa's Novels

Since 1973,published his first "a pair of socks",Jia Pingwa's creation has gone through forty years,today,he still maintained a strong creative vitality and inexhaustible inspiration,has frequently come out,but rarely repeated,with a young man,like the way forward,never stop the trend,Jia Pingwa and his works has become a unique scenery in contemporary literary world.Reading and combing the creation of Jia Pingwa,I found that there is a clue that always runs through the creation of Jia Pingwa,which is "native narrative".From Jia Pingwa's works in different periods,from the early full moon to the new flower,the vernacular has become an endless theme for Jia Pingwa.The native land has also provided endless stories for Jia Pingwa.Therefore,this thesis combs Jia Pingwa's creation from "local narrative" point of view,to explore the causes of the writer with the local text creation,found several types of characters in Jia Pingwa's works,into the local people's spiritual world,from different types of characters summed up several different spirit,at the same time discussion about the writer's aesthetic style.According to the above points,the contents of this paper are arranged as follows: the first part is the cause of the creation of local text.In this part,the author will discuss from three aspects,one is the potential impact of life experience,the two is the positive material accumulation of writers,and the three is the active construction of personal narrative style.The second part is the characters of the local world.In this part,the author found that the three kinds of typical local characters in the local text creation of Jia Pingwa,a rural Rangers,two rural entrepreneurs,three Xian and rural privileges,these three types of people have different behavior characteristics,and thus will have a different personality.From these different figures,we can see the state of the development of the local society at different times.The third part is the spiritual connotation of the local narrative.In this part,we can see all kinds of vivid atmosphere of the spiritual world in the rural society through the vivid figures created by Jia Pingwa's local works.They are primitive and rustic or tough,stubborn or blind.The writer is based on these figures show the spiritual world to reflect the writer's praise,but also bring readers some inspiration and reflection.The fourth part is the aesthetic style of local narrative.In this part,the author first noticed that Jia Pingwa persisted in the local creation during the different periods of social reform and opening up in China,followed closely the footsteps of the times,paid attention to the vicissitudes of the rural society,and told the story of the countryside.The collision and blending ofurban and rural areas is the theme of his works.At the same time,the author also noticed that he focused his works on the bottom figures in the rural society,writing their life and cold with the pen and ink in the customs and customs of Guanzhong.In addition,this paper also discusses some of the traditional Chinese painting techniques and his unique aesthetic pursuit for Jia Pingwa's creation.Generally speaking,the author writes this thesis to systematically and systematically sort out Jia Pingwa's local text creation from a totally new perspective,let us know the writer's consistent expression and Reflection on the rural world,and also hope to inspire the creation of rural texts.