The Research Of That Aesthetic Features Of Zen Empty Concept In Application Of Poster Design

Zen aesthetics is developed on the basis of Zen thoughts,though is just one part of religion culture.Its open-minded and tranquil and calm thought could enlighten us in the aspect of pursuing meaning of life and development of art.Based on the study on related theory of the Zen,discuss some key words like the Zen,Zen empty concept,Leave blank,Zen though,the author found that,on the one hand,the current domestic and international literature on the study of Zen aesthetics is sufficient and there are also a few scholars who have done in-depth research on Zen Buddhism and put forward unique and thorough insights.On the other hand,from the perspective of poster design,at present,the study of Zen aesthetics in the field of poster design is very limited.The research of this topic is based on the aesthetic perspective of Zen empty view.Starting from the basic category of Zen's “nature is empty”,based on authoritative literature data,A comprehensive analysis of the aesthetic characteristics of Zen empty concept,and from the aspects of design thinking,form of expression,and visual language,the aesthetic characteristics of Zen perspective were explored in poster design.First of all,the thesis discusses the aesthetic characteristics of the Zen empty concept in Zen aesthetics based on “emptiness” as its philosophical foundation.What Zen is saying is all empty,not referring to emptiness in the absolute sense,but to the emptiness of things.Combining with the influence of its artistic creation,it combs out the aesthetic features of Zen empty concept one by one: the blank art of “empty”,the return and return of “empty”,the inclusiveness of “empty”,the limited to infinite of “empty”,and the “empty” dialectical thinking,“empty” creative thinking,“empty” negative thinking in all aspects of features,combined with the actual case to analyze the specific embodiment of its aesthetic characteristics.It strives to explain profound theories in a simple and clear manner,as well as lays a solid foundation for the enlightenment of poster design based on the esthetic aesthetic characteristics of Zen.Secondly,based on the previous chapter,the aesthetic features of the Zen sect are combed one by one,and the Zen Buddhism is transformed from the obscure Zen language into the design language.On this basis,it explores how to apply it to the poster design.This paper focuses on the Enlightenment of Zen empty view to poster design.On this basis,the paper analyzes the specific presentation of Zen empty concept aesthetics in the field of design thinking,expression and artistic techniques.Combined with the actual case analysis,it's for increasing the reality of the research results.Finally,based on the previous research theories,the paper discusses the expression of Chinese Zen in the design of posters and summarizes from the perspective of visual presentation: the “white space” of color,pure white,and the creation of void artistic conception of space;the refinement of the symbolic elements of Zen.,The “Dialectless” graphical dialectical relationship,the incompleteness of the appropriate “empty” form,the sublimation of implication,the aftertaste inspired by the appropriate “emptiness” in the text,and the rhythm of Zen in the form of words.From the designer's point of view,the esthetic value and significance contained in the Zen empty concept are excavated,and a new perspective of the aesthetic taste of Zen empty concept is explored.Seek teaching and consolidate self in the concrete design practice.I hope that with the help of this research,we can play an important role in the application and research of Zen Aesthetics in the field of design.