The Literati Nature Of Taoist Murals In Yuan Dynasty

In Yuan Dynasty,the special historical background of heavy martial arts and protecting religion achieved the mural art,which still has deep cultural and artistic influence nowadays,and has also formed a unique trend of literati of the religious believers and painters.These believers and painters jointly bred a batch of murals with religious and cultural humanity.Taking the Chun-yang Palace's murals of Yongle Palace for example.The Chun-yang Palace's murals of Yongle Palace is one of the representatives of Taoist murals with large-scale and well preserved.On the academic level,the study of Taoist murals represented by San-qing hall of Yongle Palace is more meticulous and adequate,but the literati study on the murals of Chun-yang Temple,which is not far away from San-qing Hall of Yongle Palace,is less.This paper intends to study the literati nature of the murals and painting forms(including composition,landscape content,architecture,and the painting forms of characters)in the Chun-yang Temple of Yongle Palace,hoping that through the study of the above content will have inspiration and influence on our graduation creation,and ultimately achieve the combination of research results and practical achievements.This paper is divided into five parts,the first part is the introduction,mainly about the purpose and significance of the research,the background of the topic,the main content and methodology of the topic of this research.The second part analyzes the development of Taoist murals in Yuan Dynasty.This part is the overall macro analysis,mainly from the impact of literati paintings on Taoist murals and Taoist murals theme,content and other aspects of the Taoist murals.The third part is the embodiment of literati's nature in the Taoist murals of Yuan Dynasty.This part beginswith a detailed analysis.of the literati trend formed by Taoists and painters in the Yuan Dynasty,and then analyzes.First,from the Taoists and painters of the Yuan Dynasty to organize the trend of literati,and then the Chun-yang Hall's murals are analyzed which includes the analysis of the literati's nature of the mural painters and mural painting forms,and the conclusion lays the foundation for the later content.The fourth part is the focus of the full text,combining the literati characteristics of Taoist murals in Yuan Dynasty above to bring inspiration and technical influence to our graduation creation,mainly from the ideological inspiration and practical operation.The fifth part carries on the summary and the promotion.The above five parts together form a comprehensive study of the literit's nature of the Taoist murals in the Yuan Dynasty,and then practice and use the research results.