Research On New Peasant Images In Local Novels In The New Century

This article takes the new peasant images in the local novels of the new century as the research object.It aims at a more comprehensive understanding of the new peasant images in the local novels,exploring the transformation of the peasant images in the local novels and the new peasants in the local novels in the new century.They are sorted out and categorized to provide models for the creation and research of new peasant images in local novels in the new century,providing references and lessons for cultivating new peasants in the new century and the construction of modern urban and rural areas in China.This article consists of three parts: introduction,text and conclusion.The introduction part briefly introduces the research object and scope of this article,outlines the research status,research methods and deficiencies of the peasant images in the local novels of the new century,clarifies the research ideas,research methods,purpose and significance of this thesis,and finally makes research significance.Necessary instructions.The first chapter general overview the local novels and the new peasants' images in the new century.The first section briefly discusses some of the new changes in the works of representative writers of local novels in the new century,the types of main themes,and the art forms of the novel.The second section mainly discusses the history of the development of new peasant images in local novels from the 1940 s to the new century.The second chapter analyzes the images of the new peasants in the rural novels in the new century.The first section discusses the main types of new peasant images in the “township”.The “new farmers” in the “township” are divided into three major categories: township cadres,township entrepreneurs,and township intellectuals.The main features of the new farmers are the initial acquisition of personal modernity,various aspects of personal talent,and the renewal of tradition.The second section discusses the relationship between the new peasant images in the “township” and the construction of new countryside.The main role of the “new farmers” and “new ruralconstruction” in the “township” is to promote the transformation of rural governance,drive the development of rural economy,and maintain rural education culture.The third section discusses the method of shaping new farmers in the “township”,that is,shaping the new peasant images in the rural social transformation and the conflict between old and new.The third chapter discusses the new peasants' images of "entering the city" in the local novels of the new century.The first section introduces the types and characteristics of the new peasant images of “entering the city”.The new peasants“entering the city” are mainly divided into migrant workers “entering the city”,peasant merchants “entering the city”,and peasant intellectuals “entering the city”.The main feature of the new peasant images of “entering the city” is that it has acquired urban experience and personal modernity in the city,has puzzled its identity,and has a strong desire to develop its hometown.The second section discusses the "entering the city" new farmers and modern urban and rural construction.New farmers entering the city either contribute to the construction of modern cities,or use the wealth and experience of the city to feed the countryside,or return to their hometowns to build rural areas.The third section discusses the shaping of the new peasant image of "entering the city." The new peasants “into the city” were shaped by the conflict between urban and rural cultures,“entering the city” and “going home”.The epilogue points out the efforts and significance of local novelists in the new century to reflect the great process of Chinese farmers' transformation from traditional farmers to new farmers.