The Influence Of The Direct Cinema Model On The Chinese Documentary Creation

Direct Cinema is one of the important genres of documentary creation.It is formed in the 1950 s and 1960 s.Drew group,the messes brothers,Fred wiseman of American,and Louis marr of France are among the best representatives of the genre to bring this creative approach to its climax.The Direct Cinema model advocates observation records,insisting on the principle of “no involvement,no intervention and no control”.The camera is like a fly on the wall.Through waiting,shooting,recording,etc.,which makes meaningful people and events stand out.The emergence of this mode of creation is a complete subversion of the Greer Johnson's documentary,as well as a new creation concept and aesthetic style.This paper will be Direct Cinema model combined with the depth of the development of Chinese documentary,from the perspectives of Chinese documentary producer,production concept and production strategy,in-depth interpretation Direct Cinema model for the influence of Chinese documentaries.And on this basis,points out that the Direct Cinema insist the mode of documentary aesthetics spirit never change,in the pursuit of the essence of documentary "real",it has revolutionized of art language simultaneously.At the same time,on the basis of analyzing the overall aesthetic characteristics of Direct Cinema,we try to explore the vigorous development of Direct Cinema mode in contemporary China.This thesis is divided into six parts:The first part is the introduction.The content of this chapter includes the background of the thesis,the purpose and significance of the topic,the research status at home and abroad,and the research methods.The second part is about the Direct Cinema mode.On the basis of concept definition,the development of this pattern is briefly discussed,and compare it with the truth film.Through Direct Cinema mode,to gain a comprehensive and clear understanding.The third part explores the reasons for the emergence of Direct Cinema in the west and China.It analyzes the social background,cultural zeitgeist and technical context of the model.The fourth part respectively from Direct Cinema mode of Chinese documentaryfilm producer,production concept and production strategy three aspects,deeply interpret the influence of this mode on Chinese documentary creation.The fifth part analyzes the inheritance and innovation of the documentary aesthetic spirit in China.And the plight of Direct Cinema in the contemporary era,try to explore the booming development of Direct Cinema in China.The sixth part is the summary.Direct Cinema is still one of the best records in modern times.This creative technique has never gone out of fashion,nor has the spiritual core changed.