The History Of Zizhuzhai

"Zizhuzhai" is a traditional watermark printmaking institution that exists in the China Academy of Art.It is the only entity in the contemporary art universities that has traditional wooden watermark techniques.It is based on the academic community of the China Academy of Art and is responsible for universities.The responsibility for protecting traditional woodblock watermarking techniques.At the same time,as the living body of traditional Chinese print art,it is also the highest point of Chinese traditional printmaking.Researching this typical case of Zizhuzhai has very important academic value.After collecting and arranging dictation,manuscripts,and archival materials,this article combed the history of Zizhuzhai.The full text is divided into three chapters.The first chapter mainly explores the historical and cultural origins of the woodblock watermark technique.In the modern sense,the "wooden watermark" is not the same concept as the ancient engraving and color lithography.However,the "wooden watermark" is not the same concept.The innovation and development are based on its foundation and have historically inherited relationships.Therefore,this "inheritance relationship" is first traced.The second chapter is the history of Zizhuzhai.In the process of studying history,the stage is the basic method of grasping the historical system in general and macroscopically,and the historical exploration must be based on the stage.This chapter combs the history of the development of Zizhuzhai.On the one hand,the author takes the history of the China Academy of Fine Arts,which is closely related to Zizhuzhai,as the basic reference,and at the same time uses the historical events in the Zizhuzhai historical development as a node to stage-The division of the "Watermark Factory Period" and "The Establishment of Zizhuzhai",the division of these three periods,can facilitate the detailed history of this article and make the narrative more in-depth.The last chapter focuses on the new development of Zizhuzhai in the new period.On the one hand,it is the "new" of teaching and creation.On the other hand,Zizhuzhai's search for the"new" of traditional and contemporary transformations..