Harmony Of Music Rhyme And Unity Of Heaven And Man

In numerous Chinese instruments,only Yangqin is the worldwide and national instrument.As early as the 14th century commanded by the religion,this instrument was able to be spread and developed in the Europe.And it was introduced to the coast of China from the west along the Silk Roads in the later period of 17th century.For nearly 400 years of development in China,the instrument reform,music creation,performance technique of Yangqin,talent optimization and development or Yangqin teaching have been affected by Chinese historical background,geographical conditions and social culture,thus Yangqin has combined Chinese traditional culture with western features.Yangqin in the current world can be divided into five systems,including Cimbalom represented by Hungary,Dulcimer of English country,Hackbrett of the Eastern European countries,Santur of the Middle East,and Yangqin represented by China.Beginning with the Yangqin works by Professor Huang He,the Yangqin works by Professor Huang He is systemized and classified with the clue of time.By using the comparative analysis method,Yangqin works creation and music thought development between the first generation of Yangqin representative Professor Xiang Zuhua and the second generation of Yangqin representative Professor Huang He?since the foundation of new China are studied.In addition,by further studying Yangqin works by Professor Huang He,Chinese traditional music elements and western music elements in his works are analyzed.By combining with learning background,working background and social experience of Professor Huang He,the music view of integrated Chinese and Western by Huang He is analyzed.Finally,the works analysis is used for exploring the cultural source for music view of Professor Huang He—the humanistic spirit of Chinese traditional music culture.