On Lin Yongkang Contemporary Oil Painting Art

After forty years of reform and opening up,with the continuous development of society,people's living standards are constantly improving,and the comprehensive quality is constantly improving.China has gradually established a harmonious society.Chinese oil painting began more than 100 years ago,and with the reform and opening up,people's ideas have been liberated,85 art trends,all kinds of avant-garde art and new ideas have also entered our lives,but there are some political pop,anti human nature,or some unhealthy harmful art,which are supported by the Western forces...They also have the high esteem for westernization and the Western model,and the unsuccessful imitation of western modern art in the 80 and 90 s contemporary art and modernism seems to be unsuccessful.Since the introduction of oil painting to China,it is doomed to a nationalized road.The essence of oil painting can bring people a kind of aesthetic value,integrate the excellent culture in our country,and then bring a national characteristic for people,and encourage people to feel the spirit of the Chinese nation at the same time in the appreciation of the oil painting,and also promote the oil painting to take root in China faster.The quintessence of the traditional culture of Western art is praised for the nationalization of Chinese oil painting,which combines the realistic problems of contemporary China or the elements of Chinese spiritual culture.Lin Yongkang,GuoRunwen,CaiGuoqiang and other artists are outstanding representatives.And began to discuss and try to express history,pay attention to the working people,have the contemporary spirit,the Chinese oil painters who are keen on the realistic style,accept the pluralism of the art field,have strong artistic vitality and unique style to create the Chinese oil painting,and improve the national flavor of the oil painting.Lin Yongkang,one of the enterprising oil painters,is one of them.A large number of Lin Yongkang's oil painting works deeply rooted in the hearts of the people are the experience and pursuit of traditional inheritance,exploration and the spirit of the times in the form of new language.Many theorists think that although western art and culture are also constantly absorbing the art of Oriental painting,such as Impressionist and modernist art,the Chinese calligraphy and painting are blatantly introduced into the picture,but it is very little that they put forward the slogan of "Westernization of Oriental painting",and more confident in the aesthetic mentality.It is easy and active to explain that "nationalization of Chinese oil painting is an excuse for a weak culture".This is one-sided argument,and it has no practical significance.Western culture and art also commented that "Western oil painting should learn from China".This is also like "Buddhism originated in ancient India but flourished in China".During the war of resistance against Japan,the "nationalization" of Western oil paintings was first appeared in the "Discussion on the ethnic form of Yanan" in the spring of 1939 in the spring of 1939.Lin Yongkang is a painter who creates a new situation of national and nationalization of Chinese oil painting,and takes it as a bright spot for the moving people of the masses of working people.It is the strongest voice of the times.The oil paintings he created are all from the real life of the people,looking for material from real life,optimizing and choosing material from life,and thinking carefully about the relationship between people's life and national history.In his oil painting,the Chinese nation's self strength is emanated and the actual living conditions of the people are expressed in a reasonable way,representing the people's thoughts and the embodiment of the contemporary cultural and spiritual civilization.This article analyses and explores Mr.Lin Yongkang's oil painting,and explores the nationalization of Chinese oil painting and the national character of oil painting by the painter Lin Yongkang as a case.It will not use the light shadow,perspective,color,layout of oil painting,or the Chinese national painting only by the western oil painting techniques that belong to the base of painting.The lines in the law analyze Mr.Lin Yongkang's oil painting works,hoping to be thick and heavy.Lin Yongkang's oil painting art has a deep and heavy sense of responsibility and the spirit of self-improvement of the Chinese nation.In particular,Mr.Lin Yongkang's historical portrait is especially true.The thesis mainly emphasizes the analysis of the heavy,profound and profound significance of Mr.Lin Yongkang's works in today's reform and opening up and contemporary social spiritual life,and the creation of contemporary oil painting.This paper analyzes and discusses the rich connotation of subject matter,content,language style and background.This article is divided into four chapters to explore:The first part is the introduction of the paper.This part mainly introduces the background of the topic selection,and summarizes the current situation of the nationalization of oil painting in China.At the same time,the main content,purpose and significance of this article are described,and the outline of the whole article is summarized.The second part expounds the spirit and nationalization of Lin Yongkang's oil painting.The third chapter discusses the language of the nationalized art of oil painting,the interpretation of Chinese painting language,the portrait painting,the source and the generation of the painting language,the narrative features of the historical portrait,the connotation of the language of the works,and the background and logic of the artist's creation.The fourth part is the conclusion of the paper.Combined with the present situation of the contemporary development,the concrete phenomenon of social development and the comprehensive painters' ideas and creative means,the oil paintings in Yongkang are discussed and studied in depth.