A Study On The Theory Of "Jiangshanzhizhu"

The theory of “Jiangshanzhizhu” comes from the “Wuse” chapter of “Wenxindiaolong”.This theory focus on the relationship between literary creation and natural scene mainly.It widely accepted by the writers and literary theorists after Liu-Xie,and was the important topic in the theory of literary creation,therefore,has its profound and lasting effect in the history of writing and literary theory.Based on existing research,this article aims at studying the theory of “Jiangshanzhizhu” from four aspects as followed:Chapter 1,the meaning of the theory of “Jiangshanzhizhu”.By the study of “Jiangshan” description in Qu Yuan's writing,the original meaning and the utilization of “Jiangshan”,the development of scenic poem,and the background information of the raise of “Jiangshanzhizhu”,to ascertain the implications of “Jiangshanzhizhu”.This theory could stand for the pure inspires from the nature to the writers,also could be the inspire and help from the natural scenes which under certain culture and certain feeling of writers,or the natural scenes have their special implications from writers.Chapter 2,the study of the theoretical source of “Jiangshanzhizhu”.The theory of the relation between nature and man which concerned the man is an integral part of nature as core,the theory of geographical environment,and the theory of affection from things,all were the origins of “Jiangshanzhizhu”,also made “Jiangshanzhizhu” an important topic about the conception of nature and literary creation in the history of Chinese ancient literary theory.Chapter 3,the study of the relation between “Jiangshanzhizhu” and the poem creation of Six Dynasty.By the study of scenic description in the poems before the appearance of scenic poem,such as banquet poetry,excursion poetry,reclusion poetry,immortals poetry and the metaphysical poetry which realize the truth by scenic,and the appearance of scenic poem,to find out the functions of the nature to literary creation in different stages,the features of the description of scenes in the poetry of different topics,and then reveal the significance of “Jiangshan” in feeling inspiration,spirit purification and feeling release during the development process of the writers' aesthetic consciousness about natural scenes.Chapter 4,the study of the effect of “Jiangshanzhizhu” on the later literary work and literary theory.Firstly,by the search certain words in Chinese Basic Library of Ancient Books,and the analysis,settlement of the reference of “Jiangshanzhizhu”,to study the direct effect of “Jiangshanzhizhu” in the history.Secondly,by analyzing the theory of “Jiangshanzhizhu”,the theory of Literary excellence after frustrations,the relation between “Jiangshanzhizhu” and elaboration of spirit,and the bidirectional relation between literature and “Jiangshan”,to find out the expansion and deepening of “Jiangshanzhizhu” by later scholars.The theory of “Jiangshanzhizhu” not only the referential theory about the relation between literary creation and natural scenes,but also has its profound and extensive implication.This theory last thousand years,has it important meaning in the history of Chinese ancient literary theory,and deserve more concerns and exploration.