A Brief Analysis Of The Application Of "Virtual" And "Reality" In The Creation Of Contemporary Chinese Sculpture

Each piece of sculpture has its own unique form of language,and all the sculptures convey to the viewer the emotional connotation of it.When the viewer watches the sculpture,it is first to see the rhythmic rhythm of the sculpture as a whole and the emotional content of the sculpture.The sculpture works to the viewer what emotions are,comparing these sculptures of rhythm to bring the viewer intuitive feeling is crucial,and comparing "virtual" and "real" is the key work of pace,a good rhythm can produce beautiful musical rhythm,to be pleasing to people mood is fundamental works to impress the viewer.In the sculpture creation,"virtual"and "real" is not to be ignored in the design concept,the clever use of virtual "and" real "in sculpture,not only helps to find the form of a breakthrough,but also can effectively deepen the theme,but also through the physical space extending vast sculpture the spirit of the space,the work and the viewer's inner feelings to communicate,into another illusory space.If the three-dimensional existence of sculpture is the body of sculpture,the idea and imagination of sculpture is the soul of sculpture,and the reason why the viewer is moved is the communication between the inner soul of the sculpture and the viewer.The argument of this paper aims at the contemporary sculpture creation of "virtual" and "real" relationship to ontology language of contemporary sculpture creation as the breakthrough point,through the practice of the human body sculpture,a series of studies,according to the process of creation itself to express the emotional content of the works to find the "virtual" and "real" the change,thus by comparing the rhythm of the work itself,let the audience feel the works of emotion,and strive to work to have a new breakthrough,has more artistic expression.